Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Woman’s One Day Away Becomes a Mother’s Worst Fear After a Call from School — Story of the Day
Mary juggled everything at home while her husband, George, stayed hands-off. Fed up, she decided to take a day for herself, leaving their daughter in his care. But as she relaxed by the ocean, her phone lit up with missed calls from the school. Now, fear set in—what happened while she was away?
Mary stood in the kitchen, moving frantically as she tried to make breakfast. She glanced at the clock and groaned. She had overslept again. Meanwhile, George was still snoring loudly upstairs.
For illustration purposes only. | Source: Midjourney
She flipped the toast out of the toaster, only to see that it was burnt. “Ugh!” she muttered, tossing it aside. Without slowing down, she cracked eggs into the pan, but in her hurry, they burned just like the toast.
Suddenly, her alarm blared again, making her jump. “Oh, come on!” she cried, and in the confusion, she knocked over her cup of coffee.
The hot liquid splashed onto her arm, stinging her skin. “Damn it!” she yelped, grabbing a towel to wipe off the mess.
With no time to waste, she rushed to Missy’s room. She sat on the edge of the bed, gently shaking her daughter awake. “Missy, honey, it’s time to get up,” she said softly. Missy groaned, rolling over and pulling the blanket over her head.
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Mary lifted the still half-asleep Missy and carried her to the bathroom. As she helped Missy wash her face and brush her teeth, she glanced at herself in the mirror. Her hair was wild, her pajamas were wrinkled, and a big coffee stain covered her shirt.
She carried Missy down the hall, heading toward the bedroom. She pushed the door open with her foot and saw George sprawled out on the bed, snoring softly.
“George, I’m running late. Missy’s going to be late for school. Can you help me, please?” Her voice was almost pleading.
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George grunted and rolled to his side, burying his face in the pillow. “Five more minutes,” he mumbled.
Mary sighed and hurried back downstairs, Missy clinging to her. She set Missy down at the table, grabbed a box of cereal, and poured it into a bowl, adding milk.
“I don’t want this!” Missy whined, pushing the bowl away.
Mary took a deep breath, trying to stay calm. “What do you want, sweetheart?”
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“Pancakes!”
Mary glanced at the time. She was almost out of it. “George!” she shouted toward the stairs. “I really need your help! Get Missy dressed!”
Silence. Not a single sound came from George.
Gritting her teeth, Mary grabbed the pancake mix and began braiding Missy’s hair as the batter sizzled in the pan.
For illustration purposes only. | Source: Midjourney
George finally strolled into the kitchen, rubbing his eyes. His gaze landed on the stove. “Oh! Pancakes!” he said with a smile, sitting at the table. Without a care in the world, he grabbed a fork and began eating.
Mary glanced at him, her hands busy packing Missy’s lunch. Her shoulders ached from rushing around all morning, but she kept quiet.
“Did you forget to grab my morning paper?” George asked between bites.
Something inside Mary snapped. The words hit her like a slap. “Your paper?!” she yelled. “Why don’t you get it yourself? I’ve been running around like a maniac this morning getting Missy ready for school! I asked you to help! You didn’t even try!”
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George blinked, looking confused. “But I work, and you’re a stay-at-home mom…”
Mary cut him off. “You’re on vacation!” she screamed. “You know what? I’ve had enough! I’m taking the day off. You’re dropping Missy off and picking her up from school. You’re watching her all day. I need a break!”
George scratched his head, frowning. “I thought she still went to kindergarten.”
“Aaagh!” Mary shouted, storming out of the kitchen. She raced upstairs to the bathroom, slamming the door and locking it behind her.
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Mary stood in the bathroom, listening to the faint sound of George and Missy leaving. The front door clicked shut, and for a moment, there was silence.
She let out a long breath. Slowly, she turned on the shower, letting the hot water wash over her. It felt good, soothing her frayed nerves.
Afterward, she got dressed in comfortable clothes, grabbed a small bag, and packed a few essentials—her wallet, a book, and some snacks.
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She walked out of the house, locking the door behind her. Climbing into the car, she started the engine and drove toward the ocean, craving a peaceful escape.
Mary stretched out on the warm sand, feeling the sun on her skin. The sound of the waves calmed her, washing away the morning’s stress. She swam in the cool water, floated on her back, and felt a rare sense of peace. For once, she left her phone buried in her bag.
After a while, she sat up and reached for her phone, thinking it was time to check in. As she turned on the screen, her heart skipped a beat. There were over ten missed calls from the school. Something was wrong.
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Mary’s hands shook as she dialed the school’s number. When someone finally answered, she could barely keep her voice steady.
“Hello? You called? Is something wrong?” Mary asked, her voice trembling.
“Yes, Mrs. Johnson,” replied an elderly woman on the other end. “Missy has gone missing. She went outside during recess and didn’t come back.”
Mary’s stomach dropped. “What do you mean? How could she not return?” she almost shouted, her fear rising.
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“We tried reaching you and your husband, but we couldn’t get through.”
Mary felt like the world was spinning. “How could you let this happen?!” she screamed.
“Please, Mrs. Johnson, calm down,” the woman said gently. “We’re doing everything we can to find her.”
“How can you say that?!” Mary yelled. “You don’t know what’s happened to her!” Her voice cracked as she spoke. Without waiting for a reply, she hung up, her hands shaking uncontrollably.
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She dialed George’s number, throwing clothes into her bag. When he answered, she didn’t waste a second.
“Where are you?!” she screamed into the phone, her voice filled with panic.
“I’m with the police,” George replied. “I’m giving them information about Missy.”
Mary froze for a moment, trying to calm her racing heart. For once, George was stepping up, actually doing something for their daughter.
“But I was told the school couldn’t reach you,” Mary said.
“Yeah… I was at the bar with a colleague, but I saw the missed calls and called them back right away,” George replied, sounding guilty.
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“All right,” she managed to say, her voice steadier now. “I’m on my way.” She hung up, grabbed her keys, and rushed to the car.
She jumped into the car, her hands trembling as she fumbled with the keys. The engine roared to life, and she sped out of the parking lot. Her heart pounded in her chest as she weaved through traffic, ignoring the honks and angry shouts from other drivers.
She gripped the wheel so hard her knuckles turned white. Tears blurred her vision, but she blinked them away, focusing on the road ahead.
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Finally, she skidded to a stop in front of the school. Barely shutting the car door, she rushed inside. The teachers and staff crowded around her, their faces filled with worry.
“Missy didn’t come back to class after recess,” one of them explained. “We’ve been searching everywhere.”
Mary didn’t wait to hear more. She darted down the hallways, calling out Missy’s name. She checked every bathroom, looked under tables in classrooms, peeked behind doors, her desperation growing with each step.
“Missy! Where are you?” she cried. She started to feel dizzy, her breaths coming in short gasps. Her mind screamed, This is my fault! I should have never left her with George!
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Mary sat on the school steps, burying her face in her hands. Tears streamed down her cheeks, and her body shook with quiet sobs. She felt helpless. Missy was still missing, and she didn’t know what to do.
Suddenly, her phone rang. She jumped, quickly wiping her eyes. It was George. Her hands trembled as she answered.
“What… what’s the police saying?” she stammered, her voice breaking.
“I found her,” George said, his voice steady.
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Mary froze. “You… you found her?” she whispered, hardly believing it.
“Yes, we’re at the park. Come here now,” George replied.
Mary leaped up and sprinted to the park, her heart pounding. When she spotted George and Missy sitting on a bench, relief flooded over her. She ran toward them, dropping to her knees as she wrapped her arms around Missy. Tears spilled down her face, soaking Missy’s hair.
“Sweetie, what happened?” Mary asked, holding Missy close.
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Missy looked up, her eyes wide. “Dad said we’d go for a walk later. I got tired at school, so I came to the park,” she said, her voice small.
Mary turned to George, shooting him a furious glance. He shifted his gaze to the ground, guilt written all over his face.
“Sweetheart, you can’t just leave school like that,” Mary said, her voice trembling. “We were so scared. We didn’t know where you were.”
Missy frowned. “I’m sorry. I won’t do it again,” she said. “I just wanted to walk with Dad.”
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Mary sighed, feeling the weight of her daughter’s words. She squeezed Missy’s hand. “All right, let’s go home,” she whispered.
On the drive home, the car was quiet. Missy had fallen asleep in the backseat, her head resting against the window. Mary gripped the steering wheel, her mind racing.
She wanted to scream at George, to shout about how careless he’d been, how he’d ignored their child for so long. But before she could open her mouth, George broke the silence.
“I’m sorry,” he said, his voice low.
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Mary glanced at him, her eyes hard. “Sorry isn’t enough,” she replied, her tone sharp. “Our daughter could have been hurt today. Do you get that?”
George nodded, looking down at his hands. “I know,” he admitted. “I haven’t been the best father.”
Mary shook her head, anger bubbling up again. “It took her going missing for you to realize that? Really?”
George took a deep breath and reached into his pocket. He pulled out a small piece of paper and handed it to her. Confused, Mary glanced down. It was a cruise ticket.
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“What’s this?” she asked, still angry but now curious.
“You deserve a break,” George said, his voice steady. “After you left this morning, I saw the burnt eggs, the cereal, the pancakes. You made three breakfasts in one morning. And that’s only a small part of what you do every day. I’m sorry I didn’t see it before or appreciate you.”
Mary looked at the ticket, then back at George. “And who’s going to look after Missy?” she questioned.
“I will,” he answered, meeting her eyes. “I’m her father. It’s time I started acting like one.”
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Mary pulled into the driveway and parked. She turned to George, her eyes softening. Slowly, she leaned over and hugged him, letting the tears flow.
“I’ll do better,” George promised, holding her tight. Mary nodded, feeling a weight lift off her shoulders. Finally, he understood.
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