In the heart of Lower Manhattan, an unusual 29-story skyscraper, devoid of windows, stands tall and mysterious. Its code name is Titanpointe, and it is located at 33 Thomas Street. This building has baffled New Yorkers for years.
The building, constructed in 1974, was designed to withstand atomic blasts and was initially intended to house vital telecommunications equipment. It was envisioned as a communication nerve center, fortified against nuclear threats, by the architectural firm John Carl Warnecke & Associates.
This imposing structure, a gray tower of concrete and granite soaring 550 feet into the New York skyline, remains, unlike any other building in its vicinity. Unlike neighboring residential and office buildings, it does not have a single window and remains unilluminated. At night, it takes on an eerie presence, and by day it casts a giant shadow, its square vents emitting a faint hum, often drowned out by the city’s bustling sounds.
For decades, 33 Thomas Street, also nicknamed the “Long Lines Building,” has captured the imagination of New Yorkers as one of the city’s weirdest and most iconic skyscrapers. But the true purpose of this enigmatic structure has remained largely concealed, shrouded in secrecy.
The Secret Behind 33 Thomas Street
Beyond its enigmatic exterior, 33 Thomas Street conceals a deeper secret. This building appears to be more than just a telecommunications hub. Evidence from documents obtained by NSA whistleblower Edward Snowden, along with architectural plans and interviews with former AT&T employees, suggests that 33 Thomas Street served as an NSA surveillance site, code-named Titanpointe.
The NSA’s involvement goes beyond mere speculation. Inside the building, there’s a major international gateway switch that routes phone calls between the U.S. and countries worldwide. The NSA is believed to have tapped into these calls from a secure facility within the AT&T building. This covert surveillance program has targeted not only international organizations like the United Nations, the International Monetary Fund, and the World Bank but also numerous countries, including U.S. allies.
While AT&T has cooperated with the NSA on surveillance, few details have emerged about the specific role of facilities like 33 Thomas Street in carrying out top-secret programs. The Snowden documents, however, provide unprecedented insight into how NSA equipment has been integrated into AT&T’s network in New York City. This integration reveals the methods and technology employed by the agency to gather communications data from the company’s systems.
The NSA’s presence within this iconic skyscraper raises questions about the boundaries of surveillance in the modern world. As Elizabeth Goitein, co-director of the liberty and national security program at the Brennan Center for Justice, points out, “This is yet more proof that our communications service providers have become, whether willingly or unwillingly, an arm of the surveillance state.” The deep integration of the NSA within domestic communications infrastructure challenges the notion that such surveillance can be neatly confined to non-American targets.
The surprising reason Cynthia Rhodes stepped away from her flourishing career after dirty dancing
Cynthia Rhodes, known for her iconic roles in Staying Alive and Dirty Dancing, is a legendary figure in 1980s dance dramas. As she approaches her 68th birthday in November 2024, it’s worth reflecting on why this Hollywood triple threat chose to retire at the peak of her career.
Rhodes was born in Nashville, Tennessee, and began her career with a small part in the 1980 film Xanadu, which starred Olivia Newton-John and Gene Kelly. Her breakout came with her portrayal of Tina Tech in Flashdance, followed by a significant role in Staying Alive, where she played the love interest of John Travolta.
However, it was her unforgettable performance as Penny Johnson in Dirty Dancing that solidified her status in Hollywood. In this role, she captivated audiences with her Mambo dancing alongside Patrick Swayze, while also delivering poignant emotional scenes, including the character’s harrowing experience with an illegal abortion.
Rhodes described Penny as a complex character who had endured a tough life, yet retained a sense of sweetness. The film not only showcased her dancing skills but also tackled important social issues, positioning its leads, including Rhodes, for stardom.
Despite her success, Rhodes decided to step back from the industry, citing the physical demands of dance. “Dancing became really hard”, she said, expressing her desire for roles that didn’t involve strenuous movement. “I keep saying I’ll never dance again… my bones hurt, my back hurts all the time”, she explained.
In 1987, the same year Dirty Dancing premiered, Rhodes appeared in Richard Marx’s music video for “Don’t Mean Nothing”. She married Marx in 1989 and welcomed three children: Brandon in 1990, Lucas in 1992, and Jesse in 1994. Marx noted that Rhodes found more fulfillment in motherhood than in her previous career, which she left in 1990 partly due to the intense physical pain from dancing.
Rhodes, who started dancing at the age of three, emphasized her love for it but acknowledged the toll it took on her body. “If I never danced again, I wouldn’t regret it”, she said, highlighting her contentment in focusing on her family.
Her last film appearance was in 1991’s Curse of the Crystal Eye. After divorcing Marx in 2014, she stepped further into her role as a mother, watching her children pursue careers in the arts: Brandon as a music producer, Lucas as a singer and actor, and Jesse as a musician in a metal band. While fans miss seeing Cynthia Rhodes on screen, her decision to leave Hollywood resonates, underscoring the high demands of a career in dance and the joy she found in motherhood.
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