It’s been years since *Three’s Company* was on TV, but the laughs it brought us are still fresh in our minds.
With its memorable characters and hilarious mix-ups, this classic show changed the world of sitcoms forever. Now, Joyce DeWitt shares what truly made *Three’s Company* a show we’ll never forget…
From the funny adventures of three single roommates to the unforgettable acting of John Ritter and Suzanne Somers, *Three’s Company* is still a favorite on American TV. It’s hard to believe that 40 years have passed since the final episode aired on ABC, yet the show’s charm and humor continue to entertain us.
To show just how long it’s been, I recently watched the intro. The scenes at Santa Monica Pier remind me of how much has changed since the show was filmed.
Sadly, both John Ritter and Suzanne Somers have passed away, leaving us far too soon. But Joyce DeWitt, now 75, keeps the spirit of *Three’s Company* alive by sharing her stories and memories of the beloved show.
“The most dear, precious, tender – and utterly unexpected – experiences that have come from working in *Three’s Company* are the many, many adults who have told me that *Three’s Company* was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told *US Weekly*.
Playing Janet Wood alongside John Ritter and Suzanne Somers, Joyce DeWitt became a TV star and brought joy to millions of viewers.
She appeared in 171 episodes of *Three’s Company* from 1976 to 1984.
“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told *The Spec*. “All we wanted to do was make people laugh. When I think about it, the show was really like a modern version of a 16th-century comedy. It was all about crazy fun. We talked about serious issues sometimes, but that was always in the background.”
“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “But in the end, it was about the deep friendship and love the characters had for each other. That’s what made people love them.”
After *Three’s Company* ended, Joyce DeWitt took a break from the spotlight for over ten years before returning to acting.
No matter what she has done or plans to do in the future, most people will always remember her for that iconic show. And according to DeWitt, there’s a simple reason for this.
“It was a ‘time out’ from the tough, stressful situations young people were dealing with in their lives,” DeWitt explains, adding:
“And, of course, they say the characters did silly, crazy things that made them laugh. But it was the love, trust, and support between the characters that made fans stay with the show for life.”
In unedited photos from the *Three’s Company* set, the close bond between the cast is clear, especially in the pictures of Joyce DeWitt and Suzanne Somers, who played the much-loved Chrissy Snow.
Both actresses gave memorable performances, portraying young women making their way in a male-dominated world. Their contributions were just as important to the show’s success as John Ritter’s, and in those early days, their smiles in the photos show a sense of friendship and teamwork.
But beneath the laughter, tensions were brewing. While Somers was praised for her role as “the dumbest blonde in America,” her push for equal pay led to growing conflicts. She demanded a 500% salary increase, from $30,000 to $150,000, which put a strain on her relationship with DeWitt. What was once a joyful set became a place of tension and disagreements.
Suzanne Somers always saw *Three’s Company* as a serious business and took her role as an actor very seriously, but she knew this approach bothered her co-stars.
Eventually, Somers was fired but still had to finish the fifth season under strange conditions. She was kept apart from the cast, filming her scenes through odd phone calls while escorted by security. The tension grew, leading to a painful break between Somers and Joyce DeWitt.
For over 30 years, they didn’t speak, a long silence that felt difficult to understand when you looked back at their early friendship on the show.
“They painted me as if I was trying to ruin the show,” Suzanne Somers said in 2020. “So, I never talked to anyone on that show ever again. Ever again.”
Some people thought that Joyce DeWitt’s rivalry played a role in Somers’ departure, but it was really the salary negotiations that caused the rift between them.
Their different situations made things more complicated — Somers was a single mother who needed financial security, while DeWitt was more focused on her acting. This added to the strain on their relationship.
“We had very different approaches to our careers,” Joyce DeWitt said about her relationship with Suzanne Somers after the show. “We had very different needs. I didn’t have a child to support on my own. I didn’t have a business mindset, so I didn’t understand someone who did.”
But in a wonderful turn of events, the two finally reunited in February 2012 on Somers’ talk show, *Breaking Through*. It was clear they had made peace.
The former co-stars shared a heartfelt hug, and their open conversation about the past showed signs of healing.
DeWitt expressed her deep admiration for Somers, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This touching moment highlighted the strength of their journey and the power of forgiveness. The two actresses remained friends until Somers’s sad passing in 2023.
In an interview with *US Weekly*, Joyce DeWitt spoke warmly about her late co-stars, honoring the lasting impact they made. Reflecting on Suzanne Somers, who passed away from breast cancer, DeWitt described her as “absolutely wonderful.”
She also paid tribute to John Ritter, who died in 2003 during heart surgery, calling him “a true gift.”
Looking back at the photos from *Three’s Company*, we are reminded of a different, happier time—one filled with laughter, friendship, and unforgettable memories. These images not only capture the joy the cast brought to TV screens but also highlight the lasting legacy they have left behind.
Do You Recognize this Vintage Kitchen Tool?
The advancement of culinary arts has made a number of incredibly useful kitchen tools and gadgets available to the general public. On the other hand, antique kitchenware has a very endearing and reassuring quality. Some, like the retro meatball maker, may not even be recognizable after undergoing numerous design changes.
Though frequently linked to Italian cooking, it’s thought that Rome is where the first meatballs were created. Long ago, in addition to the more well-known Sweden, there were also versions in ancient China, Turkey, and Persia.
Some had different proportions of meat and rice or meat and lentils, while others had different ingredients. Meatballs can be a meal on their own or added to pasta dishes, soups, salads, and sandwiches.
Meatballs are a very simple and versatile staple dish. As a result, it is easy to understand why they have a prominent place in cuisine around the globe. It is challenging to precisely and consistently size and shape them by hand each time. Therefore, the meatball maker is a handy kitchen appliance that has long been in demand.
First off, a meatball maker is a useful tool for consistency, as was already mentioned. not only guarantees even cooking but also enhances the dish’s overall appearance. Secondly, kids will love using the meatball maker, especially the classic style. Finally, families can be surprisingly adaptable, giving them an additional reason to spend more time together.
Although the meatball maker’s primary function was to shape meatballs, it can also be used to create flawless falafel or hush puppies. In the meantime, the more contemporary designs of today make it possible to do things like make the ideal cake pop or cookie dough scoop.
You can find antique or vintage meatball makers at thrift stores and antique stores. As an alternative, you can find a variety of contemporary meatball makers online or in kitchen supply stores. Certain pieces bear a striking resemblance to those timeless and endearing vintage pieces, even though their shapes and functions differ greatly.
The meatball master, for instance, is a meatball shaper that can hold 32 identically sized and perfectly formed meatballs at once. The meatballs can be kept on this plastic tray until you’re ready to cook them. However, as one person astutely pointed out, “the amount of time it takes makes it easier to do by hand,” so their kids use it for play-dough.
This meatball maker is a well-liked kitchen appliance for people who have big families or frequently host guests.Similarly, the ‘Mind Reader Magic Meatball Maker‘ makes 16 perfectly round meatballs and stores them in a plastic container until it’s time to cook the perfect, mouthwatering bite size meatball, cake pop, or dumpling.
Resembling Vintage Designs
The typical “Meat Baller” is another well-liked meatball maker. There are finger slots that have an old-fashioned look or resemble scissors. It is actually comparable to the previous version in nearly every aspect. Today’s model, on the other hand, has polished stainless steel that is “non-stick,” non-slip padded handles, and produces a flawlessly presented ball of food.
The Spring Chef Cookie Scoop is an additional choice with a somewhat different design; while it’s not intended to be a meatball maker, it can still be used for that purpose and has a cute appearance. It can be squeezed together to resemble a pair of locked pliers and has a silicone-padded handle.
In contrast, the LEEFONE Meatball scoop lacks padded handles, making it closely resemble the vintage model. On the other hand, it is composed of polished stainless steel noonstick.
A useful and adaptable kitchen tool, meatball makers are used to make the ideal meatballs, which are a staple of many ancient recipes. The meatballs are surprisingly versatile, making them an excellent bite-sized appetizer for dinner parties or a great complement to a variety of dishes, such as pasta and soups. Both the chef and the diner will undoubtedly have a better experience with the meatball maker.
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