The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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MY HUSBAND SPENT OUR FAMILY’S SAVINGS FOR A CAR ON A PARIS TRIP FOR HIS MOM — SO I TAUGHT HIM A LESSON ABOUT FINANCES.
The weight of the betrayal settled in my stomach like a cold stone. Three years. Three years of sacrifice, of pinching pennies and foregoing simple pleasures, all for a car that would keep our family safe. And he’d squandered it. On a whim. On a trip to Paris for his mother.
David, bless his oblivious heart, seemed genuinely surprised by my reaction. He’d always been a mama’s boy, and I’d tolerated it, even indulged it, to a point. But this? This was beyond the pale.
“It’s my money too!” he’d protested, his voice rising in that familiar defensive tone. “She deserves it! You can’t put a price on gratitude.”
I’d simply stared at him, my mind reeling. Gratitude? What about gratitude for the sacrifices I’d made, for the countless hours I’d spent juggling work, kids, and household chores? What about gratitude for the safety of our children?
I knew arguing would be futile. He was locked in his own world of justifications, and I wasn’t about to waste my breath. Instead, I retreated, a quiet fury simmering beneath my composed exterior.
Over the next few days, I played the part of the understanding wife. I smiled, nodded, and even helped him pack his mother’s suitcase. I listened patiently as he recounted his mother’s excited phone calls, her plans for sightseeing and shopping.
But beneath the surface, I was plotting. I was determined to teach him a lesson about finances, about responsibility, about the true meaning of family.
First, I contacted his mother. I explained the situation, the crumbling van, the precarious state of our family finances. She was mortified. She’d always been a sensible woman, and she was appalled by her son’s impulsive decision. She offered to pay for the trip herself, but I declined. Instead, I suggested a compromise. She could still go to Paris, but for a shorter period, a weekend getaway rather than a full week. The difference in cost would be returned to our car fund.
Next, I tackled the issue of David’s “my money too” argument. I opened a joint account, separate from our everyday expenses, and deposited the remaining car fund, along with the money his mother had returned. I then created a detailed budget, outlining our household expenses, including the cost of a new (used) car. I presented it to David, highlighting the glaring discrepancy between our needs and his impulsive spending.
I also introduced him to the concept of “family meetings.” Every Sunday, we would sit down together, discuss our finances, and make joint decisions about spending. The kids were included, too, learning about the value of money and the importance of saving.
Finally, I decided to address the issue of his mother’s constant demands. I didn’t want to create a rift between them, but I needed to establish boundaries. I suggested that we set aside a small portion of our budget for gifts and experiences for both our families, to be agreed upon by both of us.
The changes weren’t immediate. David grumbled about the budget, about the “unnecessary” family meetings. But slowly, he began to understand. He started to appreciate the sacrifices I’d made, the careful planning that kept our family afloat. He even started to enjoy the family meetings, seeing them as an opportunity to connect with the kids and make joint decisions.
The day we drove our newly purchased (used) car home, David looked at me, his eyes filled with a mixture of regret and gratitude. “Thank you,” he said, his voice sincere. “For teaching me.”
I smiled. “We’re a team, David,” I said. “And teams work together.”
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