Paris Hilton revealed her anguish and annoyance at hearing disparaging remarks about her 8-month-old baby, Phoenix Barron, in a recent emotional social media post.
Hilton didn’t take long to protect her child from these harmful remarks because she is a strong and compassionate mother.
An Amazing and Hardy Child
Hilton, who is renowned for her composure under duress, highlighted that Phoenix the infant is both “perfectly healthy” and has a “large brain.” She wished to convey that her son is a happy, independent young man who is deserving of love and respect.
Hilton vented her frustration on her Instagram Story about people who would harm her child. She anticipates remarks because she is a well-known person, but it is just “unacceptable” and extremely upsetting to target her child or anybody else’s.
Hilton is hoping for the same in return for all of the hard work she has put into creating a loving, respectful, and accepting workplace.
The Difficulties of Being a Mother in Public
It may be difficult to navigate parenthood in the spotlight, and Hilton is aware of the particular difficulties she encounters. Some people believe she’s not a good mother if she doesn’t share pictures of her child on social media.
However, there are some that react cruelly and hatefully when she does share happy moments. Hilton doesn’t waver in her devotion to and delight in her kid, though.
She calls him the “biggest blessing” of her life and describes him as “perfectly healthy, adorable, and angelic.” Her desire to have a child has really come true.
For Hilton, spending each day with Phoenix is a potent reminder of what’s important in life. In spite of the nasty remarks, she begs for compassion and understanding from others.
She finds it hard to understand why someone would criticize such innocence. Through her brave narrative, Paris Hilton aspires to encourage greater empathy in society.
Although the event made her more aware of cruelty, it also brought her support from mothers in her community and online who stood up for her and Phoenix.
Knowing that there are so many people in the world that adore and support me fills me with such gratitude. It meant a lot to me that someone was watching out for Phoenix and that they would stand up for me.
The Paris in Love actress claims that parents have been reaching out to her via emails, direct messages, and other correspondence, saying they couldn’t believe she had to go through this at such an early stage of motherhood.
“I just read through all of the notes expressing how much people like Phoenix, how stunning he is, and how important it is to ignore trolls. Seeing how much love there is for my son and me simply meant a lot to me. I sincerely thank everyone who is reading this. I sincerely appreciate everyone’s concern for us.
As she begins this new chapter of parenting with Reum, Hilton, a mother of two, enters the holiday season and declares herself to be “just over the moon that our little princess is here!”
“Having my little baby boy and now my little girl makes my life feel so complete,” the woman tells PEOPLE.
Phoenix was born, and according to Hilton, the pair is “just so grateful and so happy.” Being able to spend our first holidays as parents is amazing.
“I’m eagerly anticipating those times. I’ve always loved the holidays, but now that I have family to spend them with, they’re even more meaningful to me.
Celebrating the Arrival of Phoenix
On January 16, Paris Hilton and her husband Carter Reum welcomed their first child, Phoenix, into the world via surrogacy.
Hilton expressed her unfathomable love for Phoenix on Instagram along with the happy news of his arrival. By telling people about this amazing tale of love and hope, let’s celebrate it. We can share compassion and understanding by working together.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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