“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
A TV presenter with a Māori face tattoo fires back at cruel trolls.
Reiterating her pride in her cultural heritage and identity, a TV hostess with a customary Māori face tattoo gracefully responded to trolling remarks.
These pictures often start online debates about facial tattoos. Some people accept the cultural significance of these motifs, while others think tattoos should only be placed to the body.
Oriini Kaipara, 41, is a trailblazing TV presenter who made history at Newshub in New Zealand when she began her career as a newsreader. She was the first to present a primetime TV news report while donning the traditional Māori women’s marking, the moko kauae.
Moko kauae are vitally significant symbols of Māori history and identity, as they are considered by the native Polynesian population of the mainland of New Zealand. These facial tattoos, which are typically applied to the lips and chins, honor a woman’s heritage, status, and skills while also denoting her leadership in her community and within her family.
However, in the midst of all the appreciation, Newshub received an email from a viewer named David who was unhappy with Kaipara’s moko kauae.
He responded, “We continue to object strongly to you using a Māori newsreader with a moku [moko], which is offensive and aggressive looking,” as reported by the Daily Mail.A nasty look. She also speaks incoherently in our non-English tongue, Māori. Now put an end to it.
Kaipara boldly addressed the issue head-on in spite of David’s disparaging remarks, sharing images of the messages on her Instagram story and responding in a refined and polite way.
“Today, I’d had enough.” I responded. I never behave like that. She posted a picture of David’s message to Instagram with the remark, “I hit the send button and broke my own code.”
Furthermore, Kaipara made public the email discussion she had with David in which she said she couldn’t take David’s complaint seriously “given there is no breach of broadcast standards.”
She also made an effort to correct his spelling of “moko,” as David had referred to hers as “moku.”
Kaipara stated in her email, “I understand your complaints originate from a place of preference on how one must look on-screen.” This kind of intolerance, harassment, or prejudice is not warranted for Moko and others around her; they are not dangerous.
“We don’t intend to cause harm or have any bad intentions, and neither do we/I deserve to be treated with such disregard,” she continued. “Please stop complaining and wait until a later time, preferably the 1800s, to express your cultural ignorance and bias.”
Kaipara swiftly stressed that most of her comments are pleasant and that ugly trolls are uncommon, even in the wake of David’s negative remarks.
Shortly after responding to David’s complaint, Kaipara spoke with the New Zealand Herald about the need for more Māori activists. “The fact that some people find my existence upsetting is evidence of the need for more Māori advocates in important positions throughout every sector,” she stated.
All things considered, Kaipara’s cool response serves as a powerful reminder of the importance of cultural pride and resilience in the face of adversity. She is also inspiring people to embrace their identities with courage and speak out against discrimination.
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