This story is deeply moving—a beautiful portrayal of love, family, and the powerful choice that defines our bonds. Grandma Patty’s gentle yet profound way of teaching life’s lessons, through simple, magical moments like their sidewalk adventures or cookie-baking sessions, builds such a vivid picture of her warmth and wisdom. Her final message, hidden behind the headstone photo, feels like the ultimate act of love—a treasure hunt to pass down the legacy of chosen family and intentional love.
The reveal of the adoption adds layers to her love story with Hailey and Elizabeth, showing that family isn’t merely formed by blood but by a thousand moments of choosing each other. Grandma Patty’s line about real love never ending but simply changing shape resonates perfectly with the story’s theme, giving Hailey and her mother both a final gift of clarity and belonging.
The cardinal as a symbol of her spirit and presence is such a beautiful touch, too, tying together memory, loss, and a sense of Grandma’s lasting presence. And through it all, the rituals and phrases they continue in her memory underscore the depth of her influence, even after her passing. The piece overall is such a tender, profound exploration of legacy, grief, and love that goes beyond life itself.
ABANDONED STRAWBERRY HOUSE
The house was built in the late twenties of the twentieth century for banker Dimitar Ivanov and his wife Nadezhda Stankovic. Inside, the accent falls on the red marble fireplace located in the reception hall. There is a podium for musicians as well as crystal glasses on the interior doors. Several bedrooms, beautiful terraces, a large study room and service rooms. Nothing of the furniture is preserved, but it is known that high-class Sofia citizens at that time preferred furniture from Central and Western Europe.
The exterior is a large front yard facing the street, separated from the sidewalk by a beautiful wrought iron fence. Triple staircase to the entrance of the house, but it is always very impressive that the special portals for carriages and carriages on both sides of the yard. Even today I imagine a cabin with the members of the invited family entering the yard of the house through one portal, the horseshoes and the carriage staying in the space behind the house, specially tailored for that while waiting for the reception to end and go out again from the yard, but through the other portal.
Banker Ivanov’s family lived happily in the house, at least until 1944. After the war the property was nationalized and originally housed the Romanian embassy. Later in the year, the house was a commercial representation of the USSR in Bulgaria, as well as the headquarters of the administration of various communist structures of unclear purpose.
In the 90’s the house was restituted and returned to the heir of the first owner-banker Dimitar Ivanov. Since 2004 the property is the property of the director of Lukoil-Valentin Zlatev, who has not yet shown any relation to this monument of culture. The beautiful house once ruined for decades and is now sadly sad.
Leave a Reply