Some of you may be considering what kind of New Year’s resolutions you could make as 2025 draws near. If these forecasts come true, then there’s no need to worry.
Yes, as 2024 draws to a close, the ghosts of the past become more audible as two of history’s most mysterious people, Baba Vanga and Nostradamus, make terrifying prophecies that never cease to both enthrall and horrify.
The prophetic abilities ascribed to these fabled seers have been a subject of discussion for many years, regardless of one’s stance.
Despite having died away in 1996, Baba Vanga, the blind Bulgarian mystic born Vangeliya Pandeva Gushterova, is credited with an amazing 85% accuracy rate in her predictions.
According to The Economic Times, they have reportedly included Barack Obama’s presidency, the 9/11 attacks, and Princess Diana’s passing.
With predictions spanning the next three millennia (scroll to the bottom of the page for that delightful reading), her prophetic talent has left a lasting effect and cemented her place as a formidable force in the field of prophetic mystery.
Furthermore, the 16th-century French astrologer Nostradamus recorded his visions in the enigmatic quatrains of his book Les Prophéties, published in 1555.
His predictions are credited with predicting significant occurrences as the ascent to power of Adolf Hitler, the murder of President Kennedy, and the September 11 terrorist attacks, solidifying his status as a visionary whose writings are constantly examined for hints about what lies ahead.
Unsettling Forecasts for 2025
2025 has been identified by both seers as a critical year with serious ramifications for the international scene:
Nostradamus predicts the rise of a dark cult and the establishment of an underwater dominion.
In the meantime, Baba Vanga adds a futuristic perspective to our comprehension of human potential when he anticipates the development of telepathy.
But the projections also have a darker tone when it comes to war predictions.
Both foresee a catastrophic war in Europe; Nostradamus refers to it as involving “cruel wars,” but he also cryptically states that “the ancient plague will be worse than enemies.”
Furthermore, Baba Vanga forebodingly says that this fight will “devastate” populations, which bodes ill for the near future and makes me wonder if I should really bother purchasing my yearly calendar featuring Neil Diamond.
And if that’s not enough to keep you up at night, Nostradamus also predicts the arrival of an asteroid on Earth, saying that “a fireball will rise from the cosmos, The world begs you to be a forerunner of fate. The fate of the Earth, a second chance: science and fate in a cosmic dance.
A Hint of Hope and Intriguing Extraterrestrials
There are glimmers of hope despite the ominous predictions.
According to Sky History, Nostradamus alludes to a potential end to the continuing conflict between Russia and Ukraine, speculating that interventions by countries such as France or Turkey might usher in peace and that both sides will eventually run out of energy.
Strangely enough, both seers hint at the prospect of extraterrestrial encounters; Baba Vanga, for example, speculates that aliens might show up at a big athletic event.
However, as I have already stated, Baba Vanga left us forecasts that would last for 3,056 years when he passed away. Needless to say, things don’t seem to work out well with the aliens.
Baba Vanga was a person who?
According to the Mirror, Baba Vanga, known as the “Nostradamus of the Balkans,” is said to have had an accuracy rate of 85%. Her forecasts have been known to come true even after her death.
At the age of twelve, she was supposedly blinded by a storm, during which her mystic talents apparently materialized.
However, what prophecy of the mystic has apparently come true in the past?
The terrorist strikes of 9/11
She made the menacing prognosis in 1989: “Oh, horror! The steel birds will attack and then the American brothers will fall. The terrifying allusion to “steel birds” may refer to the aircraft that Al-Qaeda hijacked and used in the horrific 9/11 attacks in 2001.
The Kursk’s sinking.
In 1980, Baba had a terrible vision of Kursk, Russia, being “covered with water, and the whole world will weep over it.” Her prediction was confirmed when a nuclear submarine sank close to Kursk in August 2000, killing 188 crew members.
Given the realization of those terrifying prophecies, it becomes plausible that you might want to worry about the following 3,000+ years. Here’s how she see the next three millennia developing, from the New York Post:
2025: The population of Europe will be destroyed by a conflict.
2028: Research on Venus as a potential energy source will start by humans.
2033: Sea levels will rise dramatically on a global scale due to the melting of the polar ice caps.
2076: Communism will take hold in numerous nations worldwide.
2130: Aliens will make contact with humans.
2170: Much of the globe will be destroyed by drought.
3005: A Martian civilization and Earth will engage in combat.
3797: The Earth is no longer habitable, and humans will have to leave.
5079: The end of the world.
Breaking: Whoopi Goldberg Stands in Support of Beyoncé, Vows to Leave the US with Her, “Beyoncé Is Country, I Can Assure You”
Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
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