Claire just wants to be the glamorous mother-of-the-groom—but when she realizes that her daughter-in-law has her own plans for the wedding, she steps back to focus on her own outfit, only for there to be a fight between her and Alice on the big day. Alice claims that Claire has destroyed the wedding by stealing her dream dress, while Claire sees nothing wrong in her actions. Who is wrong?
All I wanted was to be the mother-of-the-groom. That’s it. I just wanted to be the doting mother who loved her son more than anything—but this is the story of how my attempt to make my son’s wedding perfect turned into a day we’d all rather forget.
When Mark introduced Alice to us, she was unlike anyone I expected him to fall for. Mark, my son, is a lawyer at a top firm—a position that he secured straight after his graduation from Stanford.
“I’m going to be a lawyer, Mom,” he told me once when he was still in high school and doing an essay on the career he wanted to get into.
“I could easily see that,” I told him, making him breakfast as he worked away.
“It’s to help fight injustices. For children, specifically,” he said, drinking his orange juice.
Mark had big dreams, and I knew that my son was always going to reach for the stars.
Alice, on the other hand, was completely different from my son. Her entire personality was light and carefree, whereas Mark was serious and brooding. Alice was a self-taught coder, who freelanced from their cozy apartment. Their worlds, their politics, their interests didn’t align.
But they made it work—and they were a sweet couple for the most part. But love, as they say, is blind.
When Mark proposed to Alice, we were all invited to the scene to help surprise her.
“Please, Mom,” Mark said on the phone. “Alice isn’t close to her family, so to see you and Dad there will be good for her. She’ll know that she’s welcomed and supported.”
“Of course, honey,” I told him, already envisioning their wedding in my head.
I swallowed my reservations and offered to pay for the wedding. James and I had put money away for Mark’s studies, but he had always gotten bursaries which paid for it all.
“We can just use that money for the wedding, Claire,” my husband said over lunch the day after the proposal.
“It’s the best thing we could do for them,” I agreed. “This way they can save up to move out of that small apartment. I know Mark’s been talking about a house with a garden because he really wants a dog.”
When we told Mark and Alice, I thought that the gesture would bring us closer. I didn’t have any daughters, so I thought that this would be my chance.
I could get to know Alice better—and that would be good for Mark, to know that his wife and his mother got along well. Instead, the wedding planning only highlighted our differences.
After a few months into the wedding planning, I met Alice at a coffee shop so that we could go over the details. But we clashed on everything.
“I think roses are timeless,” I said, helping myself to a slice of cake.
“They are, but they’re also overdone in a sense,” Alice said, sipping her tea. “Mark and I want peonies.”
Our meeting went back and forth a few times—and we were stuck in a space where we just couldn’t agree on anything.
“Okay, how about this?” I asked her. “You go ahead with everything else, and just tell me what color your bridesmaids are wearing, so that there won’t be any clashes.”
“They won’t be wearing green,” she said. “I’m leaning toward pink.”
I paid the bill and we parted ways with the wedding planning.
But then, one afternoon Alice texted me.
Hi Claire, just picking out my wedding dress with the girls! I’m so excited! I wish you were here!
Attached were photos of her five top wedding dress picks.
I knew that Alice and I were on different ends of what we thought that the wedding should look like, but I wanted to be included in the big things. I wished that she had included me in the wedding dress shopping.
“At least she’s sending you the top picks,” James said as he read the newspaper next to me.
“I know, but it’s not the same,” I said.
“Do they look good?” he asked. “Can I see them?”
Together, we scrolled through the photos of the potential dresses. They were adequate choices, but nothing stood out.
Nothing that would fit the standard of my future daughter-in-law.
The dress that was Alice’s favorite and the first contender for the actual wedding dress wasn’t what I expected.
I typed back, telling Alice that it wasn’t quite the best choice. And I hoped that my financial stake in the wedding would weigh in. James and I hadn’t given the kids a budget. They had everything at their disposal.
Why not consider the second one? It might be more flattering for you.
James chuckled beside me.
“You’re at the point of over-stepping,” he said.
Before I could say anything, my phone pinged with a message from Alice.
Sorry, but I disagree. This is the dress I’m choosing.
That night over dinner, as James was plating our salmon, I shared my frustration with him.
“Alice is not even considering my opinion, and I’m paying for the dress!” I exclaimed.
James tried to mediate; he also texted Mark to make sure that he knew how I felt, too.
“I think you should just leave the wedding planning to them now,” James said. “Put all your attention into yourself and what you’re going to wear.”
But it also turned out that Mark was able to persuade Alice to wear the dress I preferred.
I had to admit, it was the less stressful option, and I hadn’t been able to shop for my dress before that.
So, that’s what I did.
I went to a few different boutiques and eventually found my perfect dress. It was emerald green, which I knew brought out my eyes.
“That’s beautiful,” James said when I tried the dress on for him.
I had felt different. I no longer felt like the mother-of-the-groom who had been pushed aside. Instead, I felt beautiful in my own skin, my self-esteem growing every time I thought of the dress.
When the wedding week loomed upon us, James and I tried to make ourselves as present as possible. We went to all the events that Mark and Alice needed us to be at—including the rehearsal dinner where we saluted them and drank champagne to toast the festivities.
“All sorted, Mom?” Mark asked me. “Your dress and everything?”
I smiled at my son. Despite being in the middle of Alice and me, he was always checking in on me.
“Of course,” I said. “I’m ready to celebrate you and Alice.”
On the morning of the wedding, I put on my green dress and did my make up. It was everything I had wanted to look for my son’s wedding—elegant and sophisticated.
As I arrived at the venue, the air was thick with murmurs. I ignored them, thinking that everyone was just so used to me being dressed in comfortable clothing, that this was something different for them.
I went straight to the bride’s dressing room, hoping to see Alice and compliment her before she walked down the aisle.
Upon opening the door, Alice looked up—her joyful expression collapsing into one of utter devastation. She looked me up and down before bursting into tears.
“Why did you do this to me, Claire?” she sobbed, her voice choked with emotion.
Confused, I stepped into the room and closed the door.
“What’s wrong?” I asked her.
“Your dress!” she exclaimed.
“What about it?” I asked, second-guessing everything.
“It’s my dream wedding dress, just in another color,” she said, nearly shouting.
I was taken aback.
“Alice, honestly,” I said. “I didn’t realize—they look so different in color.”
But Alice wasn’t having any of it. She sat on the edge of the couch, her head in her hands.
“How could you?” she looked up and cried out. “You’ve made this day about you! Just because we didn’t take any of your suggestions!”
Mark, having heard the commotion from his dressing room next door, came rushing in.
“Mom? What’s going on here?” he asked me.
He looked from Alice to me, seeking an explanation.
Trying to calm the waters, I explained everything slowly.
“I didn’t see the resemblance, Mark,” I said. “I truly just loved the dress, and I thought—”
Alice stood up and marched toward Mark.
“No!” she exclaimed. “You thought that you’d show me what I could’ve had, but in green. Isn’t that it?”
“Mom, please,” my son said. “Let’s just try to get through the day. Please, for me.”
I agreed and left the dressing room. I just wanted to find James and sit quietly until the day was over.
I knew that Alice and I were walking a thin line, but I didn’t expect her to shout at me in the manner that she did.
Naturally, I was upset, but I didn’t want to ruin their day any further.
Reflecting now, perhaps I should have been more open to Alice’s preferences. It was her day after all, not just mine to orchestrate. The question of whether I was wrong hangs heavily over me.
Yes, in trying to enforce my vision, I might have lost sight of what was truly important—Alice’s happiness and Mark’s peace on their special day.
Was I wrong for what I did?
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
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