The story of Earl Holliman’s journey to Hollywood is one of aspiration and perseverance. In 1943, Holliman was 14 years old and adamant about wanting to be a movie star.
Raised in Oil City and Mooringsport, rather than Shreveport as is frequently stated, he traveled via a number of locations before arriving in Hollywood.
He first went to see relatives in Camden, Arkansas, and from there he bused himself to Texarkana. He took a rideshare to Hollywood from there.
Holliman had worked the night shift at a diner close to Barksdale Air Force Base and as a theater usher, so he had saved some money. A serviceman he met at the cafe even gave him a lead on a place to stay, which turned out to be in El Monte, California, a good distance from Hollywood. Looking back on his trip, Holliman acknowledges that it was a dangerous decision that wouldn’t be prudent in the modern day.
DAILY LIFE IN HOLLYWOOD
After his initial try in Hollywood failed, Holliman made a quick trip back home before deciding to serve in the Navy. But his desire to be a movie star never went away. Later on, he went back to Los Angeles to continue his education at the University of California, Los Angeles and the Pasadena Playhouse.
Holliman’s perseverance was rewarded. With parts in “Giant” (1956), “Forbidden Planet,” “The Rainmaker,” and “The Sons of Katie Elder,” he amassed an amazing reel of cinematic credits. Additionally, he gained recognition for his television appearances, most notably in “Police Woman” with Angie Dickinson and in “The Thorn Birds” with Richard Chamberlain and Rachel Ward.
Holliman remembers his Hollywood days fondly, especially his first morning there. Wearing dark glasses and a silk shirt with short sleeves, he strutted in front of Grauman’s Chinese Theatre, wondering if anyone thought he was a celebrity. The naive hopes of youth were present in that moment.
Check out the image below to see Earl Holliman’s current age of 95:
The Saga of My Husband, My Mom, and Rent: A Family Drama
Oh, the pleasures of family dynamics; those complex networks of affection, animosity, and, it seems, rent. What if I told you a small story from the front lines of my own soap opera to start things off?
Imagine this: Dad recently passed away and went to the great beyond, leaving Mom sad and alone. So, of course, I propose that she move in with us, partly out of compassion and partly out of sheer guilt. You know, to socialize with the grandchildren and take in the warmth of family.
Now enter my spouse, who has obviously been attending the “How to Be a Loving Family Man” course. His initial response was a firm no, but after some deft haggling on my part, he reluctantly agreed—but only under one condition. The worst part, get ready: my distraught mother would have to pay the rent.
You did really read correctly. Pay rent. in a home that we currently own and are not renting. Start the crying or laughing. His logic? He replied, grinning in a way that I can only characterize as evil, “Your mother is a leech.” “After she moves in with us, she won’t go.”
His reasoning continued, a train on the loose about to crash down a precipice. She simply doesn’t make sense to utilize anything for free when she will consume our food and electricity. This residence is not a hotel, and she has to know that!
With my blood boiling, I knew something was wrong. The reason for this issue is that I wedded a man who seemed to believe he was the Ritz-Carlton’s management. How daring! Here we are, with equal rights to the house, having both contributed to its acquisition, and he’s enacting capitalist regulations as if we were operating a profit-making Airbnb.
The worst part is that my spouse isn’t a horrible person. Really, no. He and my mother have simply disagreed from the beginning. He told me the truth about how he really felt the night he turned into Mr. Rent Collector. “Ever since I met her, your mother has detested me. She wouldn’t feel at ease living with me right now.
I am therefore torn between my mother, who is in great need of her daughter’s support, and my husband, whom I really love despite his imperfections. I ask you, dear reader, the million-dollar question: What should I do? In true dramatic manner. Shall I rent my mother a room or my husband’s empathy?
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