The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
Nicholas Cage’s twin grandchildren haven’t met their famous grandad
This actor, who belongs to one of Hollywood’s most famous dynasties, is a National Treasure but in his personal life, he’s trapped in a “quiet, horrible nightmare.”
The Family Man actor, who once bought a seat on a plane for his child’s imaginary friend, is now living in a “hostile environment” created by his son’s ex-wife, who’s preventing him from meeting his four-year-old twin granddaughters.
Keep reading to learn the identity of the star whose name change was inspired by a superhero!
When this actor was only 15, he was seated in a car with his uncle, one of Hollywood’s leading filmmakers, and begged him for a chance to appear in one of his award-winning films.
“Give me a screen test, I’ll show you acting. There was just silence in the car,” said the star, who’s proudly bizarre both on and off screen.
As a 17-year-old, the actor paved his own path to stardom and earned a minor role in the 1982 hit, Fast Times at Ridgemont High, a coming-of age cult favorite.
“I was the brunt of jokes because my name was still Coppola,” says Nicholas Cage, who was born in 1962 as Nicholas Kim Coppola.
“People would not stop saying things like, ‘I love the smell of Nicolas in the morning,’ because of Apocalypse Now…and it made it hard to work and I said, ‘I don’t need this,’ and changed it to Cage,” the star explains of dropping the surname that connected him to his famous relative, Francis Ford Coppola.
Next, explaining why he chose Cage, he says, “It’s a combination of Luke Cage from Marvel comics, who was a character I liked, also named Power Man, and John Cage, the avant-garde composer. Speaks volumes about everything I’ve been up to ever since.”
His first starring role with Cage as his last name came in 1983’s Valley Girl and the anonymity he said made him feel as if he “had this weight come off my body.”
“Wow, I really can do this. And I felt liberated by that experience,” he tells Hollywood Reporter. “And you can see it in Valley Girl that I’m free. Whereas in Fast Times, or even Rumble Fish, I’m somewhat stuck,” he says, referring to his appearance in 1983’s Rumble Fish, a film directed by his uncle.
Over the next several years, Cage worked in back-to-back films, earning the reputation as one of Hollywood’s most sought-after actors.
In 1988, he earned Golden Globe nominations for Moonstruck with Cher and Honeymoon in Vegas with Sarah Jessica Parker.
It was also the same year he met actor Christina Fulton, who in December 1990 gave birth to his first son, Weston Coppola Cage, an actor who appeared as the younger version of his dad in the 2014 film Rage.
Cage, who earned an Oscar for his 1995 role in Leaving Las Vegas, also shares a son Kal-El (Superman’s birth name) born in 2005 with his third wife Alice Kim, and daughter August Francesca (born 2022) with his fifth wife, Riko Shibata.
Cage was also famously married to Patricia Arquette (1995 to 2001) and Lisa Marie Presley (2002), whom he filed for divorce only months later.
Speaking with People, The Unbearable Weight of Massive Talent actor says that family comes “first and foremost.”
“There’s no version of Nick Cage in reality that doesn’t want to spend time with his children…There’s no version of Nick Cage that didn’t put family first over career,” says the star of Raising Arizona.
He adds, “I turned down Lord of the Rings and I turned down Matrix because I didn’t want to go to New Zealand for three years or Australia for three years because I needed to be home with my son Weston, that’s a fact.”
Offering evidence to that, actor Minnie Driver once said: “Was once on a plane with [Nicholas Cage] and his son and a seat had also been purchased for his son’s imaginary friend.”
Weston Coppola Cage
To this day the Adaptation star has a very tight bond with his children, and two of his grandchildren, Lucian (born 2014) and Sorin (2016), who Weston shares with his second wife.
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