Dustin Hoffman, who famously dressed in drag for *Tootsie* 30 years ago, used his acting skills to keep a serious secret: a battle with cancer that almost took his life.
In 2013, the *Rain Man* actor, then 75, revealed that he had quietly undergone treatment for throat cancer, which was “surgically cured.” After that, he never spoke about it publicly again. Here’s more about the Oscar-winning actor’s journey with cancer.
In 1967, at 30 years old, Dustin Hoffman had his breakthrough role in the romantic comedy *The Graduate*, which earned him his first Oscar nomination.
Over the years, Hoffman starred in iconic films like *All the President’s Men* (1976) and *Kramer vs. Kramer* (1979), which won him an Academy Award for Best Actor.
In 1983, Hoffman played a washed-up actor who dresses as a woman to get a role on a soap opera in the movie *Tootsie*, showcasing his incredible versatility.
\In the hit film *Tootsie*, Dustin Hoffman’s character was called a “nottie” instead of a “hottie,” which brought him to tears, he shared.
“If I were going to be a woman, I’d want to be as beautiful as possible. But they told me, ‘That’s as good as it gets,’” Hoffman recalled in an interview.
When he realized he wasn’t considered attractive as a woman, the now 86-year-old actor had a life-changing realization about how society views women.
“I went home and started crying,” Hoffman says. “I thought, ‘I’m an interesting woman,’ but I knew if I met that version of myself at a party, I wouldn’t talk to her because she didn’t meet the physical standards we’re taught women need to have for us to approach them.”
Even though *Tootsie* was the second-highest-grossing film of the year—just behind *E.T. The Extraterrestrial*—Dustin Hoffman didn’t find it funny.
“That was never a comedy for me,” he added.
Despite his feelings about the film, Hoffman became one of the most sought-after actors in Hollywood.
He earned his second Oscar for the 1988 film *Rain Man* and went on to win six Golden Globes and one Primetime Emmy.
In 2013, Hoffman, who had always been very active in his career, suddenly went quiet.
It was later revealed that his cancer had been detected early.
Just months after Dustin Hoffman made his directorial debut with the British comedy *Quartet* (2012) and finished filming *Chef* (2014) alongside Jon Favreau and Sofia Vergara, the reason for his absence became clear.
Hoffman’s publicist, Jodi Gottlieb, shared with *People* (through ABC News) that the beloved actor had been privately treated for cancer. She didn’t reveal many details but said, “It was detected early, and he has been surgically cured. Dustin is feeling great and is in good health.”
At 75, Hoffman underwent preventative treatments to reduce the chances of the cancer returning. While Gottlieb didn’t specify the type of cancer, it was widely believed to be throat cancer.
Even after the news, Hoffman’s career didn’t slow down. He lent his voice to Master Shifu in more *Kung Fu Panda* films (2008 to 2024) and acted in several other movies, including *Sam and Kate* in 2022 and the upcoming sci-fi drama *Megalopolis* in 2024. Hoffman, now 86, continues to remind us of his resilience and passion for acting.
In early March 2024, *Hello!* magazine reported that Dustin Hoffman and his wife, Lisa Gottsegen, were seen walking around London, showing some sweet moments of affection.
Hoffman, who married Gottsegen in 1980, added four children to his family, along with two children from his previous marriage to Anne Byrne.
The article noted, “The Hollywood legend looked much younger than his 86 years as he smiled and waved at the cameras. He appeared tanned and relaxed while strolling through the city and visiting shops with his wife of 43 years.”
King Charles Reveals His First Official Portrait, and People Are Terrified
In a much-anticipated reveal, King Charles III’s first official portrait since becoming king has sparked widespread conversation. Public reactions and critics’ opinions are far from mild, igniting lively debates on social media and among art enthusiasts. It’s evident that King Charles’ portrait is poised to be one of the most discussed royal artworks in recent memory.
Revealing the artwork
Recently, King Charles III revealed a new portrait of himself at Buckingham Palace, marking the first since his coronation. The Royal Family’s Instagram account posted an exclusive video showing the king presenting the artwork.
This notable portrait will eventually be showcased at Drapers’ Hall in London, joining its esteemed art collection and providing the public with a chance to see the monarch’s regal image.
The comments section quickly became a hotbed of debate.
The unveiling ignited a heated debate in the comments on the Royal Family’s Instagram post and other social media platforms. Opinions were sharply divided, with some users harshly criticizing the portrait. Comments included, “I would be very upset and offended if this was my royal portrait. It looks like a floating head in a sea of red. This is awful. Horrendous.”
One person said, “This is terrifying. Red is ALWAYS a bad sign unless it’s roses. This looks like a blood bath,” while another added, “It looks like it’s on fire.”
Despite the negative feedback, there were also positive remarks such as, “I love the portrait. It’s beautiful.” These mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has stirred among the public.
What it actually represents
Jonathan Yeo, a well-known artist renowned for his innovative style in painting people, has gained praise for his ability to merge classic techniques with new ideas in portraiture. Yeo’s method involves more than just painting what someone looks like; he delves deep into the personalities of his subjects to capture their true essence.
In his latest work portraying King Charles III, Yeo stayed true to this approach. He aimed to strip away any distractions in the painting, focusing solely on allowing viewers to connect with the person behind the royal title. By spending time with the king and understanding him on a personal level, Yeo was able to create a portrait that goes beyond surface appearances and reveals the human within.
In Yeo’s portrait of King Charles III, one striking detail is the presence of a butterfly. This butterfly isn’t just a random addition; it holds deep symbolism and serves multiple purposes. Yeo explained that beyond representing the beauty of nature, the butterfly also highlights the environmental causes that the King has long supported, even before they became widely discussed.
Moreover, the butterfly adds visual interest to the portrait, breaking the uniformity and adding layers of meaning. In art history, butterflies often symbolize transformation and renewal, mirroring the King’s journey from Prince to monarch during the time the portrait was painted. This choice underscores the significant changes in King Charles’s life.
Yeo expressed his gratitude for the opportunity to create such an important portrait, “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge and one which I thoroughly enjoyed and am immensely grateful for.”
Explore King Charles III’s life in-depth with 8 Things About King Charles III That Will Help Us Understand Him Better. Delve beyond his royal image to uncover intriguing insights into his interests, personal stories, and distinctive characteristics.
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