Born in 1956 in Los Angeles, California, Thomas Scott made her acting debut in “Marnie” when she was just 13 years old.
She had a few small film and television appearances throughout the ensuing years, including parts starring Kirk Douglas and Clint Eastwood. She attended the University of Southern California to study piano performance as well.
Thomas Scott’s traumatic childhood past was not well known, despite her success in theater and television, which included multiple Emmy nominations, wins from Soap Opera Digest Awards, and Soap Opera Update Awards.
When she was a baby, her mother left her. Her grandmother took care of her instead of her mother, and regrettably, she did little to stop multiple individuals from abusing young Thomas Scott.
A few decades later, in 2020, Thomas Scott released a memoir titled “Always Young and Restless: My Life On and Off America’s #1 Daytime Drama,” which offered an open window into his life away from the spotlight.
At the age of four, Scott saw her grandmother being abused for the first time. Her grandmother was in the same room as Scott, but she did nothing to stop him from being abused all of Scott’s life.
She pursued a career as a child actor as an escape from the filth, vermin, and lack of protection in her family life. Her passion for acting was stoked when she discovered a sense of normalcy in her profession that she had never experienced before.
Scott moved out of her grandmother’s house when she reached twenty, despite the fact that her health was deteriorating. She realized that trying to convince her grandmother not to have let the abuse would not help; perhaps things would have turned out differently if her grandmother had not been so afraid to see a doctor. Scott overcame these setbacks and continued on despite having a horrible upbringing.
Scott reflected on the agony and adversity she had endured at the hands of her grandmother, a woman who was unable to forgive her for an incomprehensible occurrence. Scott’s grandma asked for forgiveness for years before she passed away, and Scott never made amends with her.
Scott was able to find the good in a difficult situation. She learned endurance, patience, and how to handle hardship as a result of her experience. She was unable to contact her grandma at times, though, because of her unreasonable actions.
Scott faced a difficult road ahead of her as a result; the author needed ten years to write a biography about these upsetting experiences. The project was in danger of being completely destroyed throughout the first few terrifying chapters, which only served to highlight how amazing the project’s completeness was after it was finished.
After shedding her grandmother’s name, Scott was able to go forward. In 1985, she wed Edward James Scott. When they celebrated their 20th wedding anniversary, they took the chance to reiterate their vows on “Entertainment Tonight” in front of their loved ones. The couple’s three adoptive children were named Jennifer, Alexandra, and Elizabeth.
According to Scott, having a child offered her a once-in-a-lifetime chance to make up for some of the wrongs done to her during her childhood. In an intentional effort to provide her girls a better upbringing than she had, Scott decided to assign them to different activities. She had the good fortune to watch them develop into mature, content adults with their own families as a result.
In an effort to help fans understand more about the woman who inspired TV character Nikki Newman, Scott shares her story. She also urges anyone in similar circumstances to seek help before it’s too late, emphasizing that abuse can happen to anyone, regardless of one’s financial standing.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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