Any kind of music can benefit from an effective acapella song, whether it’s because the vocalists can hold the listener’s attention or because there aren’t any unnecessary instruments that call attention to the lyrics.
This is particularly true of the acapella performance of Josh Groban’s 2003 hit song “You Raise Me Up” by Brigham Young University (BYU) Vocal Point. They breathe new life into this upbeat song.
Learners In 1991, Dave Boyce and Bob Ahlander started BYU Vocal Point, an acapella group. The quartet became well-known on campus after their debut performance, which was sold out.
Not only did BYU Vocal Point finish fifth in the third season of NBC’s The Sing-Off, but since its founding, the group has received additional awards.
When they revealed on social media in December 2018 that they had signed a record deal with the classical label Decca Gold, part of the Universal Music Group, they became even more well-known for their talent.
“We’re just regular college students doing amazing things,” said member Jason Bromley.
The vocal performance in the “You Raise Me Up” music video is powerful.
The gorgeous landscape of mountains and valleys serves as the backdrop for the music video for “You Raise Me Up.”
The tape starts with a single, distinct voice, and a second later, another one harmonizes with it to create a rich, multilayered sound.
In addition to their crisp, bright vocals, the group produces amazing vocal percussion noises.
The vocalists’ performance of the song gets more engrossing as they move through the hilly landscape.
The situation nearly descends into an overly serene condition, demonstrating the ability of music to carry listeners away.
It’s hard to tell who the lead singers are because of how well their harmonies mesh.
They offer a strikingly distinctive interpretation of this much covered song, rather than just copying the original.
The song incorporates their distinct style and arrangement, and the new hook at the end improves the harmonies. An extra student chorus supports the crescendo, resulting in an incredibly potent finale.
You will love BYU Vocal Point’s amazing performance of “You Raise Me Up.” Enjoy this memorable and moving performance while you relax.
WATCH : This Unusual Dance Routine by Two Girls Had the Entire Crowd On Their Feet from the Moment They Turned Around!
You would be incorrect to initially underestimate this dance routine’s mesmerizing power.
Irish dances like clogging, which are usually rather stunning, are characterized by their complex footwork and little upper body movement.
The routine shown in this video, however, gives the conventional approach a novel and thrilling twist.
This exciting clogging duet, performed by Madison and Morgan, was the highlight of the 2013 Clogging Champions of America – Showdown of Champions in Knoxville, Tennessee. Set to the lively track “Hit the Ground Runnin’” by Keith Urban, their performance departs from the traditional Irish music typically connected with clogging.
Madison and Morgan, dressed in white pants, clog shoes, and plaid shirts, break stereotypes from the very beginning.
The crowd roars with excitement as the two take the stage with their backs to the spectators, creating a thrilling atmosphere for their performance.
When the music starts, you can feel the excitement rising as Madison and Morgan whirl around quickly, beaming with joy. The pair is launched into motion by their coordinated footwork, hand-holding, and elegant spins.
The girls combine classic clogging techniques with contemporary flair throughout the routine, including stage circles, high kicks, and even an amazing high jump. Every motion in their dance is precisely timed, and it is flawlessly performed.
Madison and Morgan give the traditional dance style a modern twist by including upper body arm and hand moves that give the routine a lively, fun feel. A riveting performance that captivates audiences is created by fusing classic and modern components.
Viewers were astounded by the smooth transitions and deft footwork, and many expressed their amazement in the comments area. Some lauded clogging’s exuberance, while others got into a heated argument on how to categorize it.
Despite dissenting views, one commenter highlighted the rich cultural history of clogging and how it developed into a contemporary Irish-American dance form. Another confirmed the routine’s legitimacy by recognizing the classic steps mixed with modern components and drawing from their own expertise teaching clogging.
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