Losing my husband shattered me. But two days after his funeral, my mother-in-law made it worse. She kicked me and my kids out, changed the locks, and left us homeless. She thought she won, but she had no idea she was making the biggest mistake of her life.
When I married Ryan two years ago, I wasn’t naive about his mother. Margaret never bothered hiding her disdain for me, her eyes always narrowing slightly whenever I entered a room, as if I brought in a bad smell along with me.
A heartbroken woman | Source: Midjourney
“She’ll come around, Cat,” Ryan would say, squeezing my hand under the dinner table as his mother pointedly asked him, and only him, about his day.
But she never did come around. Not to me, and certainly not to Emma (5) and Liam (7), my children from my previous marriage.
One Sunday dinner at her house, I overheard her talking to her friend in the kitchen.
“The children aren’t even his,” she whispered, unaware I was approaching with empty plates. “She trapped him with her ready-made family. Classic gold-digger move.”
I froze in the hallway, plates trembling in my hands.
An annoyed older woman frowning | Source: Midjourney
That night, I confronted Ryan, tears streaming down my face. “Your mother thinks I married you for money. She doesn’t even see Emma and Liam as your family.”
Ryan’s jaw tightened, a muscle working in his cheek. “I’ll talk to her. I promise this stops now.”
He pulled me close, his heartbeat steady against my ear. “You and those kids are my world, Cat. Nothing and no one will come between us. Not even my mother.”
Ryan was true to his word. He bought us a beautiful home in a neighborhood with good schools and tree-lined streets, far enough from Margaret that we didn’t have to see her unless we wanted to.
A kind man staring at someone | Source: Midjourney
Emma and Liam bloomed under Ryan’s care. He never tried to replace their biological father, who had walked out when Liam was still in diapers. Instead, he created his own relationship with them, built on pillow forts, Saturday morning pancakes, and bedtime stories.
“You’re doing the tucking in tonight,” I said, leaning against the doorframe of Emma’s room, watching as Ryan carefully arranged her stuffed animals around her.
“Mr. Whiskers always goes on the left,” Emma instructed seriously.
“Of course,” Ryan nodded with equal seriousness. “He’s the guardian of the left side of the bed. Very important position.”
A little girl holding her teddy bear | Source: Midjourney
Later, after both kids were asleep, Ryan joined me on the couch, wrapping his arm around my shoulders.
“I talked to Mom today,” he said quietly.
I tensed. “And?”
“I told her she either respects my family — all of my family — or she doesn’t see me at all.” His voice was firm but sad. “I think she got the message.”
I rested my head on his shoulder. “I hate that you had to do that.”
“I didn’t have to,” he corrected me. “I chose to. There’s a difference.”
A couple comforting each other | Source: Pexels
For a while, Margaret kept her distance. She sent birthday cards to the kids, showed up at Christmas with awkwardly chosen gifts, and managed to be civil to me. It wasn’t warm, but it was tolerable.
Then came the phone call that shattered EVERYTHING.
I was chopping vegetables for dinner when my phone rang. The kids were doing homework at the kitchen table, arguing good-naturedly about who had more math problems.
“Is this Ms. Catherine?” an unfamiliar voice asked.
“Yes.”
A startled woman talking on the phone | Source: Midjourney
“I’m calling from the hospital downtown. Your husband has been in an accident.”
The knife clattered to the counter. “What kind of accident?”
The pause lasted an eternity. “A car crash. It’s serious, ma’am. You should come right away.”
I don’t remember the drive to the hospital. I don’t remember calling my neighbor to watch the kids. I only remember the doctor’s face as he approached me in the waiting room, and how I knew before he even opened his mouth.
A woman driving a car | Source: Pexels
“I’m very sorry. We did everything we could,” he said.
My heart felt like it was going to stop beating. Ryan was gone. The only man who had ever truly loved me and loved my children as his own… was gone.
“Can I see him?” My voice sounded far away, like it belonged to someone else.
The doctor nodded, leading me down a hallway that seemed to stretch forever.
A doctor | Source: Pexels
Ryan looked peaceful, almost like he was sleeping, except for the stillness. No rise and fall of his chest. No fluttering eyelids. Just stillness.
I touched his hand. It was cold.
“You promised,” I whispered, tears falling onto our joined hands. “You promised you wouldn’t leave us.”
Close-up shot of a man lying still in a hospital bed | Source: Midjourney
The funeral was a blur of black clothes and murmured condolences. Margaret sat in the front row, opposite me and the kids. She didn’t cry. When people approached her, she accepted their hugs with rigid dignity.
Emma clung to my hand, her small fingers squeezing mine whenever a new person approached us. Liam stood straight-backed beside me, trying so hard to be the man of the house already.
After the service, Margaret approached us. Her eyes were red-rimmed but dry, her posture rigid.
“This is your fault,” she said without preamble, her voice low but sharp enough to cut.
I stared at her, not comprehending. “Excuse me?”
An angry older woman accusing someone in a cemetery | Source: Midjourney
“My son is dead because of you. If he hadn’t been rushing home to you and those children, he’d still be alive.”
I froze. The police said Ryan’s accident happened on a stretch of highway nowhere near our house.
“We are his family,” I snapped, my voice trembling as I gestured to the kids. “And he loved us.”
Margaret’s lips thinned. “You trapped him. You know it, and I know it.”
Before I could respond, she walked away, leaving me standing there with my mouth open, her accusation hanging in the air between us like poison.
A stunned woman | Source: Midjourney
“Mom?” Liam tugged at my sleeve. “What did Grandma Margaret mean? Was it our fault Daddy died?”
I knelt down quickly, taking his small face in my hands. “No, sweetheart. Absolutely not. What happened to Daddy was a terrible accident, and it wasn’t anyone’s fault. Grandma Margaret is just very sad and saying things she doesn’t mean.”
I forced a smile, though my heart was breaking all over again. “Let’s go home.”
A sad little boy looking up | Source: Midjourney
Two days after the funeral, I took the kids to get ice cream, hoping the small treat might bring a moment of normalcy to our grief-stricken routine. When we returned, I nearly crashed the car in shock.
Our belongings were piled on the curb in black trash bags, like discarded garbage awaiting collection. Emma’s favorite blanket was spilling out of one bag, its pink edge fluttering in the breeze.
“Mom?” her voice trembled. “Why is my blankie outside?”
I parked haphazardly and rushed to the front door. My key didn’t work. The lock had been changed.
I knocked, then pounded my fist against the wood. “Hello? Hello!”
Personal belongings dumped outside a house | Source: Midjourney
The door swung open, revealing Margaret in her crisp linen pantsuit, looking for all the world like she belonged there.
“Oh, you’re back,” she said, leaning against the doorframe. “I thought you’d take the hint. This house belongs to me now. You and your little brats need to find somewhere else to go.”
I felt my body go cold, then hot with rage. “Margaret, this is my home.”
She scoffed. “It was my son’s house. And now that he’s gone, you have no right to it.”
Emma began to cry behind me. Liam moved closer, his small body positioned protectively in front of his sister.
A furious woman at the doorway | Source: Midjourney
“You can’t do this,” I said, my voice shaking. “This is illegal. This is our home.”
“Sue me,” Margaret replied with a cold smile. “Oh wait, you can’t afford to, can you? Not without my son’s money.”
She stepped back and began closing the door. “I’ve changed the locks, as you’ve noticed. Don’t come back.”
The door closed in my face. Behind me, Emma’s cries grew louder.
A woman shaken to her core | Source: Midjourney
“Where are we going to sleep?” Liam asked, his voice small but trying hard to be brave.
I turned to my children, their faces pale with confusion and fear. “We’ll figure it out,” I promised, though I had no idea how.
That night, we slept in my car, parked in a lot. I reclined the front seat as far as it would go. The kids curled together in the back, covered with the few blankets I grabbed from the bags on the curb.
“It’ll be like camping,” I told them with forced cheerfulness.
A car parked in a lot | Source: Pexels
Emma fell asleep quickly, exhausted from crying. But Liam stayed awake, his eyes reflecting the parking lot lights.
“Dad wouldn’t let this happen,” he whispered.
I reached back to squeeze his hand. “You’re right. And neither will I.”
The next morning, I dropped the kids at school, assuring them I’d have everything figured out by pickup time. Then I sat in my car and broke down completely.
When I could breathe again, I called Ryan’s lawyer, Robert. My hands shook so badly I could barely hold the phone.
A woman holding her phone | Source: Unsplash
“Catherine,” he answered warmly. “I was going to call you next week. How are you holding up?”
“Not well. Margaret changed the locks on our house. She threw our stuff out. We slept in my car last night.”
There was a pause, then: “She did WHAT?”
I repeated myself, tears threatening again.
“That’s illegal,” Robert said, his voice hardening. “Completely illegal. Does she think —” He stopped. “Did Ryan leave a will? Is that what you’re calling about?”
“Yes,” I whispered. “Please tell me he did.”
A man talking on the phone | Source: Pexels
“He did. In fact, I was scheduled to bring it to you next week.” He paused. “Why don’t you come to my office right now?”
An hour later, I sat across from Robert as he slid a document across his desk.
“Ryan came to see me about six months ago,” he explained. “He was worried about exactly this scenario.”
I looked down at the will, Ryan’s familiar signature at the bottom sending a fresh wave of grief through me.
Legal documents on a table | Source: Midjourney
“He left everything to you, Catherine,” Robert said gently. “The house, his savings, his investments. Everything.”
I looked up, not daring to hope. “Everything?”
Robert nodded. “Well, almost. He did leave his mother $200,000… but with a condition.” He tapped a paragraph on the second page. “If she ever tried to evict you, take the house, or interfere with your rights to his inheritance, she would forfeit that money.”
“And where would it go?” I asked.
Robert’s smile was grim. “To you and the children.”
An emotionally overwhelmed woman | Source: Midjourney
For the first time in days, I felt something besides grief. It was small, but it was there… a flicker of justice and hope.
“What do we do now?” I asked.
“Now,” Robert said, reaching for his phone, “we take your house back.”
The emergency court hearing was set for the next day. I spent another night in the car with the kids, but this time, I slept better.
Close-up shot of a judge holding a wooden gavel | Source: Pexels
“I need to tell you something important,” I told Emma and Liam over fast-food breakfast the next morning. “We’re going to get our house back today.”
“Really?” Emma’s eyes lit up. “With my room and everything?”
“Everything,” I promised.
“Is Grandma Margaret going to be in trouble?” Liam asked.
I hesitated, then decided on honesty. “Yes, she is. What she did was wrong, and there are consequences for that.”
Liam nodded seriously. “Dad always said we have to take responsibility for our actions.”
My heart squeezed. “He did say that, didn’t he?”
Nostalgic shot of a father holding his child’s hand | Source: Pexels
The judge was a stern woman with reading glasses perched on the end of her nose. She listened to both sides — Margaret sputtering indignantly about family rights, and me quietly explaining how we’d been left homeless.
“Ms. Margaret,” the judge finally said, “you had no legal right to change the locks or remove the rightful owners from their property. I’m issuing an immediate order for you to vacate the premises and return all keys to Ms. Catherine by end of day.”
Margaret’s face contorted. “But it’s my son’s house!”
“Which he legally left to his wife,” the judge clarified. “This court doesn’t recognize ‘but I’m his mother’ as a valid legal argument, Ms. Margaret.”
A stunned older woman in the courtroom | Source: Midjourney
As we left the courtroom, Margaret hurried past me, refusing to meet my eyes.
“This isn’t over,” she hissed.
Robert placed a hand on my shoulder. “Actually, it is. And there’s one more thing she doesn’t know yet.”
By sunset, I had new keys to my house. Robert had sent a locksmith ahead, making sure Margaret couldn’t pull another trick.
When we pulled into the driveway, the kids tumbled out of the car in excitement, only to stop short at the sight before them. Margaret’s belongings were piled on the curb in the same black trash bags she’d used for our things.
A person’s belongings discarded in trash bags outside a house | Source: Midjourney
“Mom,” Liam whispered, “did you do that?”
I smiled and before I could answer, another car screeched to a halt behind us. Margaret stormed out, her face purple with rage.
“What is the meaning of this?” she demanded, gesturing wildly at her belongings.
I stepped between her and the children. “You broke into my home and illegally evicted me and my kids. Now, it’s your turn to leave.”
“You can’t do this!” she shrieked.
I held up my new keys. “Oh, but I can. This house belongs to me and my children now. Ryan made sure of that.”
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A woman holding a key | Source: Pexels
She pulled out her phone. “I’m calling the police.”
I smiled. “Go ahead.”
When the police arrived, they listened to both sides. Then, to Margaret’s obvious shock, they turned to her.
“Ma’am, changing locks without an eviction notice is illegal,” one officer explained. “Breaking and entering, too. And unlawful eviction.”
“But it’s my son’s house!” Margaret insisted.
“Not according to the will,” the officer replied. “We’re going to have to ask you to come with us.”
A cop | Source: Pexels
As they led Margaret to the police car, she turned to glare at me. “You turned my son against me. You and those children who aren’t even his!”
I stepped closer, lowering my voice so only she could hear. “No, Margaret. You did that all on your own. And now you’ve lost everything… including the $200,000 Ryan left you.”
Her face went slack. “What?”
“It’s in the will,” I explained. “The money was yours unless you tried to take the house from us. Guess where it goes now?”
The realization dawned on her face just as the officer closed the car door.
A shaken older woman | Source: Midjourney
That night, we slept in our own beds for the first time since the funeral. I tucked Emma in, making sure Mr. Whiskers was in his proper position on the left side of the bed.
“Mom?” she asked sleepily. “Is Grandma Margaret going to jail?”
I smoothed her hair back. “I don’t know, sweetie. But she can’t hurt us anymore.”
Liam was already under the covers, but his eyes were wide open.
“You were really brave today, Mom,” he said as I sat on the edge of his bed.
I smiled. “I learned it from you guys.”
A relieved woman smiling | Source: Midjourney
After the kids were asleep, I wandered into Ryan’s office. His presence was everywhere: in the leather chair worn to the shape of his body, in the coffee mug still sitting on the desk, and in the family photo placed where he could see it while he worked.
I picked up the photo, tracing his face with my finger.
“You knew,” I whispered. “You knew she might try something like this.”
In the silence, I could almost hear his reply: “Of course I did. That’s why I made sure you and the kids would be taken care of.”
An emotional woman holding a framed photo | Source: Midjourney
Later, Robert told me that Margaret had lost everything fighting the charges. The $200,000 that now belonged to my children and me was just the beginning. Legal fees, a brief stint in jail for breaking and entering, and the social shame in her country club circles completed her downfall.
I took no joy in her destruction. But I did take comfort in the knowledge that Ryan’s last act had been to protect us… from her, from uncertainty, and from the cruelty of fate.
The universe has a way of balancing things out. Ryan knew that. In the end, so did Margaret.
A defeated older woman | Source: Midjourney
Here’s another story: Respect isn’t requested… it’s taken. When my husband and MIL expected me to take unpaid leave for her home renovation, they assumed I’d comply. Instead, I gave them a lesson they’d never forget.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Remember Meggie Cleary from ‘The Thorn Birds’? — this is her today, age 65
It wasn’t certain that Rachel Ward was going to get the role of her lifetime, as she starred as Meggie Cleary in the classic mini-series The Thorn Birds.
The British actress and model has had a long and varying career, spanning decades. Now, she’s settled in Australia with her husband, whom she fell in love with on set.
So what really happened on The Thorn Birds? And why did the mini-series become such a huge success?
This is Rachel Ward today, at 65.
If you were to debate which television series is the best of all time, you’d probably get a different answer from every person you talk to. Firstly, there are so many different kinds of series, and of course, we all like different things.
But usually, the most popular television series are those that aired for many years, broadcast on television with several seasons and many strong and independent characters.
Bonanza, Little House on the Prairie, Friends, Sopranos or Twin Peaks. The answer to which one reigns supreme will probably never be decided, and to be honest, that is also one of the most fantastic things about television.
The Thorn Birds
There will always be a series that sticks closer to the heart than others.
Even though we have more established series that last for years, there are several examples of miniseries that weren’t meant to stick around long, but still reached cult status.
One of those was The Thorn Birds, starring Richard Chamberlain, Rachel Ward, and Bryan Brown.
It was first broadcast in March 1983, and over 30 million people in the US watched the ten-hour miniseries, based on Colleen McCullough’s 1977 Australian novel The Thorn Birds.
The mini-series gained huge interest and was praised by both the audience and critics, winning several awards, both for its story as well as the actors’ performances.
Rachel Ward
Ten hours long and spread over five nights, The Thorn Birds is still to this day considered a classic that will live on for many years to come.
Rachel Ward starred as Meggie Cleary in The Thorn Birds, but at the time, it was pretty much a surprise when she got it. It turned out that the producers had difficulties in finding the perfect person for the role, but in the end, Ward was the perfect choice.
Not only did Ward get her big breakthrough by starring in the television mini-series, she also found the love of her life on set.
This is the story of Ward – and how she travelled the world to keep her passion for films and television series alive.
Rachel Ward – early life
Born on September 12, 1957, in Cornwell, Oxfordshire, England, Ward studied at the Hatherop Castle School in Hatherop before attending the Byam Shaw School of Art in London. However, at just 16 years of age, she left school to pursue a career in fashion.
Ward became a fashion and photography model, appearing on covers for Vogue, Cosmopolitan, as well as Harper’s & Queen. She slowly made her way into the acting scene after she was featured in several commercials.
Years later, in 1995, she would earn her Graduate Diploma of Communications and a Graduate Certificate in Writing from University of Technology, Sydney, Australia.
In 1979, Rachel Ward appeared in her first television movie, Christmas Lilies of the Field. In the years that followed she would have a number of smaller roles, but in 1983, she would become a well-known actress all over the US.
Casting ‘The Thorn Birds’
Stan Marguiles was one of the producers on The Thorn Birds. But casting the right people to appear in the show wasn’t the easiest task.
In 1982, he explained the difficulty.
However, when they saw Rachel Ward, they were sure that they’d found the right one for the role of Meggie Cleary.
“She has to go from 18 to her early 50s. From a rather naïve, overly romantic young girl to a bitter woman in her 30s, to a woman who finally understands where she took the wrong turn when she reaches her 50s. There’s an enormous range of emotions and colors,” he said.
“They first started to age me, it was kind of scary,” Ward recalled. “I had these endless double chins. I sort of had a body suit underneath the clothes, I remember liking it when I grew older, I liked the outfits, there was slightly more masculine than they were in the beginning.”
Over 200 women were considered for the role of Meggie Cleary, and a total of 40 actresses auditioned.
Speaking with the National Film and Sound Archive of Australia, Ward recalled her audition.
“My audition was quite light and I had a sense of humor” she said. “I remember I was taking it seriously but I wasn’t acting with a capital A. It is so subjective, performances pieces, and I was probably spot on the first time. I got like 10/10 for looks and 4/10 for acting.”
Golden Globe nominated
They sent Ward to work with an acting coach, and it was a great match. Starring alongside Richard Chamberlain as Father Ralph, Ward became a beloved actress, praised by viewers as well as critics.
In 1982, she was nominated for a Golden Globe Award for Best Performance by an Actress in a Miniseries or Motion Picture Made for Television.
Chamberlain received a Golden Globe Award for Best Performance by an Actor in a Miniseries or Motion Picture Made for Television. The show itself won four Golden Globes, including Best Miniseries, as well as six Emmy awards.
“It was the absolute top of the heat of a soap opera,” Chamberlain said. “I am often surprised when I think about how it remains so successful, because there was one tragedy after another, after another, after another. Nobody came out on top of that show. It was so sad but had such wonderful characters”
Rachel Ward: “Felt terribly”
Ward wasn’t an actress that crafted her skills through school, but rather she learned as time went by. As the show aired, she saw herself as the weaker link. She suffered from insecurity for years after she received some negative reviews (The New York Times said she was “miscast”).
“I felt terribly like I’d disappointed,” she told Closer. “I felt that despite me it was a success.”
However, years later, her grown daughter watched The Thorn Birds, and told her mother, “‘Mom, you were fabulous,’” Ward recalled. “That was, for me, the most important response that I could’ve ever had.”
”It was soap opera. I think of it differently now,” Ward said. “Acting styles have changed and mine was always quite natural. And I think they tried to make me something that I wasn’t naturally. So that’s the excuse that I’ve made for myself.”
Her performance in the 1983 miniseries The Thorn Birds was of course a very important step for Ward, career wise. However, the production of the show became much more important for her, since she met the love of her life.
Rachel Ward and Bryan Brown
During her work on The Thorn Birds, Rachel Ward and Chamberlain’s characters Meggie and Father Ralph had great passion between them, which kept the viewers coming back.
Chamberlain recalled that it was difficult filming specific scenes.
“There’s a microphone hidden in the armpit… and you’re trying not to smear her lipstick,” he told Closer.
Even though Ward and Chamberlain were in love on camera, the great love story was actually when the cameras were turned off.
Bryan Brown starred as Meggie’s husband Luke O’Neill, and while shooting, they fell in love.
“What happened on screen was happening off it – that’s why our love scenes were so believable,” Ward told the UK’s Daily Express.
“Everyone on set realized they were falling for each other. “I’ve never seen two people more in love,” Chamberlain said, adding that Brown even helped Ward calm her nerves before shooting. “She seemed to get happier and happier and her work got better and better.”
Married months later
Ward and Brown obviously had “sexual chemistry” on set. She really fancied him, however, when asked who made the first move, she made sure to throw her beloved husband under the bus.
‘He as slow as a wet week. Really took forever. I think I probably did,’ she said.
Brown, however, insisted that he was just being a “cunning Aussie bloke” not approaching her at once.”
“And before they know it, they’re hooked!” the legendary actor joked.
Rachel Ward and Brown got married months after the filming of The Thorn Birds wrapped.
The couple went on to have three children, Rose, Matilda and Joseph.
So what happened to Ward following The Thorn Birds?
She and Brown moved to Australia, where Ward starred in several films and television series.
Rachel Ward – this is her today
In 2001, she was nominated for a Golden Globe for Best Performance by an Actress in a Miniseries or Motion Picture Made for Television following her performance in the film On the Beach.
Her other credits include The Big House, Martha’s New Coat and television series Rake, Devil’s Playground and The Straits.
Ward also went into producing and directing,
Besides being an actress, wife, mother, and now grandmother, Ward also made sure to contribute to society.
Therefore, in 2005, she was awarded the A.M (Member of the Order of Australia for “raising awareness of social justice through lobbying, mentoring and advocacy for the rights of disadvantaged and at-risk young people.”
Work with daughter Matilda
Both Matilda’s parents were present when she gave birth, which was truly special for her.
“When I was pushing Zan out at the end, dad was stroking my head and mum was cheering me on, crying, saying, ‘Come on, Till! He’s so close,’” Matilda said. “It was pretty special that both my parents got to be with me through such a monumental time in my life.”
Just days ago, Ward got to see her newborn granddaughter, which she shared on her Instagram.
And on another note, isn’t Matilda just the spitting image of her mother!
Ward and her daughter Matilda both chose acting as their job.
However, when Matilda first said she wanted to become an actress, her mother wasn’t that excited.
Spitting image of her mother
“Mum definitely said ‘don’t be an actress,’” Matilda recalled. “She encouraged me to go to film school and get behind the camera, which I did and I’m very glad I did.”
In 2016, they teamed up in the film The Death and Life of Otto Bloom. Rachel and Matilda play the same character at different stages of her life
“We look alike so obviously there’s a great bonus in that we share physical similarities and mannerisms,” Rachel Ward said. “Plus, as we know, women over the age of 40 are basically invisible in the media and in film … It’s a treat when something comes along where it’s ok to be in your 50s.”
Rachel Ward was wonderful as Meggie Cleary in The Thorn Birds, and we’re so happy to see that she still is as passionate today.
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