When Joan sat down for a cozy movie night with her younger sister, she expected laughter and bonding, not a shocking confession. Beverly revealed their stepmother, Sophia, had taken her Christmas money, and Joan knew she had to expose the betrayal in the most unforgettable way.
“Let it go, let it go!” Beverly sang along with Elsa, her little voice rising and falling, full of joy. She was snuggled against me on the couch, clutching her favorite blanket.
A happy girl on a couch | Source: Freepik
It was our first quiet moment since I came home for Christmas break, and I was soaking it all in.
“Still your favorite movie, huh?” I teased, ruffling her soft brown hair.
She giggled. “Always.”
A woman kissing her sister | Source: Freepik
Beverly was only eight, but she’d been through so much. After Mom passed two years ago, it had been just us and Dad for a while. Then came Sophia. She wasn’t evil or anything, just cold. She’d smile when Dad was around, but when it was just us, her patience ran thin. I’d left for college a year later, and Beverly stayed behind, which killed me.
But now, here we were, watching her favorite movie for the hundredth time.
A happy young girl with her phone | Source: Freepik
“Did you have a good Christmas?” I asked, trying to sound casual.
She nodded enthusiastically. “Uh-huh! Daddy got me a doll. Sophia gave me pencils.”
“Pencils?” I frowned.
“Yeah,” she said, shrugging. “They’re the twisty kind. They’re okay.”
A girl talking to her sister | Source: Midjourney
I felt a small pang in my chest. “What about Grandma and Grandpa? Or Aunt Liz? Didn’t they give you anything?”
“They gave me money,” she said, her voice quieter now.
I smiled. “That’s awesome, Bev! What are you gonna buy?”
Her face scrunched up, and she fiddled with the hem of her blanket. “I don’t have it anymore.”
A sad young girl | Source: Midjourney
“What do you mean?” I asked, leaning in.
Her voice dropped to a whisper. “Sophia took it. She said I had too many presents already. She used it for groceries ‘cause Christmas dinner cost a lot.”
My stomach flipped. “Wait. All of it?”
She nodded. “I had three hundred dollars, but Sophia said I wouldn’t spend it right anyway.”
A girl listening to her sister | Source: Midjourney
I stared at her. My little sister. Three hundred dollars. Taken.
“Bev, who gave you the money? Did you count it yourself?”
“Grandma gave me $100, Grandpa gave me $100, and Aunt Liz gave me $100. We counted it at Grandma’s house before we came home.”
“And then Sophia took it?” I asked, trying to keep my voice steady.
A sad girl talking | Source: Midjourney
“She said she’d hold it for me, but I never got it back,” Beverly murmured, looking down at her hands.
My blood was boiling. How could she? How could a grown woman take money from an eight-year-old and call it “groceries”?
“You’re sure she used it for Christmas dinner?” I pressed.
“She said she did, but I saw her bag from the mall.”
A sad girl hugging her toy | Source: Pexels
I clenched my fists. My head spun with a mix of rage and disbelief.
“Beverly, thank you for telling me. I’m so sorry this happened. But don’t worry, okay? I’m gonna take care of it.”
“How?” she asked, her big eyes looking up at me.
I forced a smile. “You’ll see. Just trust me.”
A smiling girl on her living room couch | Source: Midjourney
That night, I lay awake, staring at the ceiling. I couldn’t just let this slide. If I confronted Sophia alone, she’d deny everything or twist it around. No, I needed backup. I needed witnesses.
The next morning, I texted Dad.
“Hey, can we do a family dinner tomorrow before I go back to school? I think it’d be nice to gather everyone one last time.”
A serious young woman looking her phone | Source: Pexels
“Sounds great! I’ll set it up,” he replied.
I smiled, my plan already forming. Sophia wouldn’t know what hit her.
The dining room glowed with soft candlelight. The table was covered with leftover holiday decorations—gold ribbons, pinecones, and glittering ornaments. Everyone had finished their meals, and the warm scent of baked ham and apple pie lingered in the air.
A table set for dinner | Source: Pexels
Dad sat at the head of the table, laughing at one of Grandpa’s jokes. Grandma, sitting beside him, adjusted her glasses while sipping coffee. Across the table, Sophia looked smug, chatting with Aunt Liz about her “excellent holiday sales finds.” She was completely at ease, as if nothing could disturb her perfect little world.
I glanced at Beverly, sitting next to me. She was swinging her legs under the table, her hands clutching a cookie. Her cheeks were flushed from the warmth of the room.
A happy girl with a cookie | Source: Midjourney
This was the moment.
I tapped my fork against my glass. “Hey, everyone,” I said, smiling to get their attention. “Before we wrap up, can I share something?”
The room went quiet, and all eyes turned to me.
“Of course, sweetheart,” Dad said, leaning forward.
A woman standing up to talk at a dinner table | Source: Midjourney
I reached over and gave Beverly a quick squeeze on her shoulder. “So, you all know how much Beverly loves riding her scooter, right?”
Grandpa chuckled. “She’s always zipping around on that thing!”
“Well,” I continued, “she’s been dreaming of getting a bicycle. Something a little faster, maybe with a basket for her dolls.”
Beverly smiled shyly.
A couple and their daughter | Source: Pexels
“And guess what? Beverly got a lot of money for Christmas to help her buy one. Grandma, Grandpa, Aunt Liz—you were all so generous.” I paused, letting that sink in. “But the weird thing is… Beverly doesn’t have the money anymore.”
Sophia’s smile froze. Her fingers tensed around her coffee cup.
“What do you mean?” Dad asked, his brow furrowing.
A serious man looking up | Source: Midjourney
I kept my gaze steady. “She told me that Sophia took it. All three hundred dollars.”
The room fell silent, except for the faint clinking of Grandpa setting down his fork.
Sophia let out a nervous laugh. “Oh, Joan, that’s not exactly true. Beverly didn’t understand—”
“She understood perfectly,” I interrupted, my voice firm. “She told me you said she had too many presents already and that you’d use the money for ‘groceries.’”
A middle-aged woman | Source: Midjourney
Sophia’s face turned red. “That’s not fair! I used some of it for Christmas dinner. Do you have any idea how expensive hosting is? And didn’t I deserve a little break after all that work? It’s only fair I treated myself to a spa day and some candles!”
“Did Dad ask you to use Beverly’s money for dinner?” I shot back.
An angry young woman | Source: Midjourney
Dad shook his head slowly, his expression hardening. “No, I didn’t. Sophia, is this true? Did you take Beverly’s Christmas money?”
Sophia stammered. “I—I didn’t take it. I borrowed it. I was going to put it back!”
Grandma’s voice was sharp. “You spent money that wasn’t yours. On yourself. How dare you?”
An angry elderly woman at a dinner table | Source: Midjourney
Sophia’s overconfidence cracked. She pointed at Beverly. “She’s just a child! She wouldn’t have spent it wisely. I was only trying to make sure it went toward something useful.”
“Useful?” I repeated, incredulous. “Like spa treatments? Or those fancy candles?”
“I said I’d put it back!” Sophia’s voice rose, now shaky and defensive.
An angry woman at the table | Source: Midjourney
“Enough!” Dad’s voice boomed, silencing the room. He turned to Beverly, his expression softening. “Sweetheart, I’m so sorry this happened. That money was yours, and it should’ve stayed yours.”
He looked back at Sophia, his tone cold. “You’re going to pay back every cent tonight. I don’t care if it comes out of your savings or your next paycheck, but Beverly gets her money back. Do you understand me?”
An angry man | Source: Midjourney
Sophia opened her mouth, then closed it again, realizing there was no way out. She nodded stiffly, her face pale.
“And let me be clear,” Dad continued. “If anything like this happens again, we’re done. Do you understand?”
“Yes,” Sophia whispered, staring down at her plate.
A sad woman looking at her plate | Source: Midjourney
I squeezed Beverly’s hand under the table. Sophia didn’t look at anyone as she sat there, defeated.
But I wasn’t done. “Beverly already knows what she’s buying, don’t you?” I said, giving her a wink.
She nodded. “A pink bike with a basket.”
Grandma smiled. “We’ll go shopping tomorrow, sweetie.”
A happy girl at a dinner table | Source: Midjourney
The conversation moved on, but Sophia sat in silence, her face as red as the tablecloth. She’d been exposed, and everyone knew it.
The next morning, I woke up to Beverly bouncing on my bed. “Joan! Wake up! You promised!” she squealed, her excitement lighting up the room.
I groaned dramatically. “What time is it? The sun’s barely up!”
A sleeping girl in her bed | Source: Midjourney
“It’s bike day!” she declared, dragging me out of bed by my hand.
After breakfast, Dad handed me the full $300. “This is from my savings. Take Bev shopping and make sure she gets everything she wants,” he said, turning to Beverly. “This is your money, and it’s time you enjoy it.”
Beverly clutched the bills tightly, her eyes gleaming. “Thank you, Daddy!”
A close-up shot of a smiling young girl | Source: Pexels
We spent hours at the store. Beverly picked out the prettiest pink bike with a white basket and matching tassels. She made sure it had a bell and a helmet, too. With the leftover money, she bought a doll she’d been eyeing and a giant art kit.
“Do you think Sophia’s mad?” she asked as we loaded everything into the car.
Loading groceries into a car | Source: Midjourney
“Maybe,” I said honestly. “But she had no right to take your money. And now, she knows she can’t get away with it.”
Back home, Dad pulled me aside. “Joan, thank you for standing up for Beverly. I should’ve noticed something was off, but I trusted Sophia too much. That won’t happen again.”
A man talking to his daughter | Source: Midjourney
“She’s your wife,” I said gently. “It’s okay to trust her, but I’m glad you see the truth now.”
That evening, Dad sat Sophia down and made her repay the stolen money from her savings. “This is your one and only warning,” he said firmly. “If you ever betray this family again, we’re done.”
Sophia apologized meekly, but her usual smugness was gone.
A worried woman | Source: Freepik
Watching Beverly ride her new bike down the driveway, her laughter filling the air, I knew one thing for sure: justice felt good.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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