When Daniel Radcliffe and Erin Darke made their grand entrance at the Tony Awards, they electrified the entire event. The audience buzzed with excitement and anticipation, captivated not only by the couple’s striking appearance but also by the cascade of reactions their presence provoked. The atmosphere was charged with energy as everyone eagerly watched them, discussing and marveling at the impact they had on the evening.

The Harry Potter star, Daniel Radcliffe, and his partner of 12 years, Erin Darke, made a rare red-carpet appearance together this weekend. The couple, who have been together since 2012 and welcomed their first child in April of the previous year, looked deeply enamored with each other as they attended the 77th Annual Tony Awards.

The 34-year-old actor wrapped an arm around his 39-year-old girlfriend’s waist as they laughed and tenderly looked into each other’s eyes while posing for photos. He looked sharp in a lilac suit paired with a bowtie, while Erin caught everyone’s attention in a shimmering gray ball gown embellished with sequins and rhinestones, complete with a tulle skirt.
The beautiful couple received a flood of praise and compliments online. One person commented, “Gorgeous! Both of their ensembles suit them and help them shine!” while another added, “They look amazing!!”
However, the height and age difference between the couple surprised many. One observer remarked, “They’re only 5 years apart, but she looks way older than him.” Another person commented, ’’Look like mother and son. The difference in height is also embarrassing, he needs to find someone shorter than him.’’

Radcliffe and Darke fell in love while working on Kill Your Darlings in 2012. In the film, Radcliffe portrayed poet Allen Ginsberg, with Darke playing one of his lovers. In 2019, Radcliffe humorously reflected on filming a risqué scene with Darke for PeopleTV’s Couch Surfing. “It’ll be a hell of a story to tell our kids one day because of what our characters do with each other,” he said.
We’re captivated by the radiant confidence and beauty of this charming couple. Another celebrity pair making waves in recent headlines were Ashton Kutcher and Mila Kunis, spotted with their son and daughter. Online viewers were amazed to catch a rare glimpse of the two adorable children.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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