Linda Gray became a household name thanks to her role as Sue Ellen Ewing on the beloved soap opera Dallas. Over the course of more than 300 episodes, she not only showcased her incredible talent but also faced numerous personal challenges along the way. Today, at 84 years old, Gray continues to shine.
Throughout the history of film and television, we have witnessed remarkable performances by countless actors. Some portrayals resonate so deeply that it’s hard to imagine anyone else in the role. For instance, who could envision Little House on the Prairie without Michael Landon as Charles Ingalls or Mary Poppins without Dick Van Dyke as Bert? Similarly, Linda Gray’s portrayal of Sue Ellen is irreplaceable, and fans of the show are grateful she was cast in such a pivotal role.
Gray’s life has been nothing short of extraordinary, resembling a roller coaster filled with ups and downs. She has confronted life-threatening illnesses, addiction, and a challenging marriage. Despite these adversities, she has always emerged stronger, committed to making the most of her life and career.
Starring alongside Larry Hagman and Patrick Duffy on Dallas, Gray recently opened up about her experiences working with Hagman and the dynamic chemistry they shared on set.
Born on September 12, 1940, in Santa Monica, California, Gray faced a significant challenge in her childhood when she was diagnosed with polio. Her grandfather had also contracted the virus, leaving her family in distress. However, Linda maintained a surprisingly optimistic outlook during her own diagnosis. “They didn’t know what it was when he was 17, and he was always in a wheelchair”, she recalled. “When I was diagnosed, everyone went crazy in my family, but I wasn’t. I thought I could have a wheelchair like Grandpa.”
Growing up in Culver City, California, where her father owned a watchmaker shop, Linda was drawn to the performing arts from a young age. She often entertained her neighbors and even starred as Cinderella in a school production at Notre Dame Academy in Los Angeles.
While her father provided a stable presence, he was emotionally distant. As Gray noted in her 2015 memoir, The Road to Happiness Is Always Under Construction, “He was just kind of there, like a piece of furniture”, and emotional discussions were off-limits. In contrast, her mother, Marge, a former artist and ballerina, struggled with alcoholism, leaving Linda and her sister to take charge of the household. “She wasn’t mean, she was just blurred, in her own world”, Gray wrote. This upbringing inspired Linda to pursue a different path, determined to avoid her mother’s fate.
With dreams of a career in medicine initially, Gray soon shifted her focus to acting, influenced by the Hollywood landscape surrounding her. She spent her teenage years modeling for various companies and airlines.
At 21, Linda married photographer Edward Lee Thrasher, but the marriage became a struggle. Her aspirations took a backseat as she became a wife and mother, welcoming son Jeff in 1960 and daughter Kehly six years later. Linda felt emotionally neglected, describing the marriage as “cold” and ultimately deciding to leave after 21 years.
Despite her husband’s disapproval of her pursuing acting, Gray took the plunge and began landing television commercials. She had minor roles in films like Under the Yum Yum Tree and Palm Springs Weekend but hit the jackpot when, at 27, she became Anne Bancroft’s body double for The Graduate poster (1967). Ironically, she later portrayed Mrs. Robinson in a 2001 stage adaptation of the same film.
In her memoir, Gray also shared a humorous rejection letter from Glamour magazine she received in the early 1960s, which she kept as a reminder of resilience. “It kicked me from behind, and made me want to go and do something”, she said.
Though she loved motherhood, the lack of a fulfilling career frustrated her. When she finally enrolled in acting classes, her husband dismissed the idea, suggesting she wait until their children were older. At 37, she forged ahead and trained alongside younger actors. It wasn’t long before she secured her first significant role as a guest star on Marcus Welby, M.D. in 1974.
The turning point came in 1978 when Gray was cast as Sue Ellen Ewing on Dallas. Initially meant to be a recurring role for just five episodes, her performance resonated with audiences and critics alike, leading to her becoming a series regular and turning her into a star.
Dallas, set against the backdrop of family rivalry and scandal at Southfork Ranch, showcased Gray’s exceptional talent. Her chemistry with Larry Hagman was palpable, but she clarified that it stemmed from a sibling-like bond. “He was the bad big brother that I never had”, she explained. Their dynamic translated beautifully on-screen, captivating both the network executives and viewers alike.
The show broke numerous viewing records, becoming one of the most-watched television series in history. The iconic episode revealing who shot J.R. Ewing drew an estimated 80 million viewers, a record that stood until surpassed by MASH*.
For her role, Gray received two Golden Globe nominations and an Emmy nomination for Outstanding Lead Actress. After divorcing Ed Thrasher in 1983, her son Jeff pursued a career in directing and earned an Emmy nomination in 2018. Tragically, he passed away in 2020 after battling leukemia. Gray honored him on Instagram, celebrating his life and the love he shared with those around him.
Throughout her tenure on Dallas, Gray appeared in 308 episodes. Following the show’s conclusion, she continued to work in television and reprised her role as Sue Ellen in the 2012 revival of Dallas, which aired for two seasons. She received a Special Award at the 2014 USA Film Festival, further cementing her legacy.
Now, at 84, Linda Gray remains as stunning as ever. She has navigated many challenges, from her childhood struggles to her difficult marriage and the loss of her son. Through it all, she has learned to transform adversity into resilience.
We admire her strength and wish her continued success in the years to come! Feel free to share this inspiring story with your family and friends.
I Remarried After My Wife’s Passing — One Day My Daughter Said, ‘Daddy, New Mom Is Different When You’re Gone’
Two years after my wife’s passing, I remarried, hoping to rebuild my family. But when my 5-year-old daughter whispered, “Daddy, new mom is different when you’re gone,” I was stunned. Strange noises from a locked attic, strict rules, and Sophie’s fear spark a chilling mystery I can’t ignore.
I never thought I’d find love again after losing Sarah. The way grief hollowed out my chest made breathing feel like an optional activity for months.
A man staring down at a gravestone in a cemetery | Source: Midjourney
But then Amelia walked into my life, all warm smiles and gentle patience, and somehow she made the world feel lighter.
Not just for me, but for Sophie too. My five-year-old daughter took to her immediately, which felt like a miracle considering how rough the past two years had been.
The first time Sophie met Amelia at the park, my daughter had been reluctant to leave the swing set.
A girl on a swing | Source: Midjourney
“Just five more minutes, Daddy,” she’d pleaded, her little legs pumping higher and higher.
Then Amelia had walked up, her sundress catching the late afternoon light, and said something that changed everything: “You know, I bet you could touch the clouds if you went just a little bit higher.”
Sophie’s eyes had lit up like stars. “Really?”
“Well, that’s what I always believed when I was your age,” Amelia had replied with a wink. “Would you like me to push you?”
A woman speaking to a girl on a swing | Source: Midjourney
When Amelia suggested we move into her inherited home after we got married, it seemed perfect. The house was gorgeous, with its high ceilings and detailed woodwork that spoke of quiet grandeur.
Sophie’s eyes went wide when she first saw her new bedroom, and I couldn’t help but smile at her excitement.
“It’s like a princess room, Daddy!” she’d squealed, twirling around in circles. “Can I paint the walls purple?”
A girl twirling in her bedroom | Source: Midjourney
“We’ll have to ask Amelia, sweetheart. It’s her house.”
“Our house now,” Amelia had corrected gently, squeezing my hand. “And purple sounds wonderful, Sophie. We can pick out the shade together.”
Then I had to go away on business for a week – my first extended trip since the wedding. I was nervous about leaving my little family when everything still felt so new.
A concerned man standing in a hallway | Source: Midjourney
“You’ll be fine,” Amelia had assured me, pressing a travel mug of coffee into my hands as I headed for the airport. “And so will we. Sophie and I will have some quality girls’ time.”
“We’re going to paint my nails, Daddy!” Sophie chimed in as I kneeled to kiss her forehead.
It seemed like everything was under control. But when I returned, Sophie nearly knocked me over with her hug, clinging to me like she used to right after Sarah died.
A man hugging his daughter | Source: Midjourney
Her little body trembled against mine as she whispered, “Daddy, new mom is different when you’re gone.”
My heart stumbled in my chest. “What do you mean, sweetheart?”
Sophie pulled back, her lower lip quivering. “She locks herself in the attic room. And I hear weird noises when she’s in there. It’s scary, Daddy! And she says I can’t go in that room, and… and she’s mean.”
I tried to keep my voice steady. “Mean how, Sophie?”
A man speaking to his daughter | Source: Midjourney
“She makes me clean my whole room all by myself, and she won’t let me have ice cream even when I’m good.” Sophie hung her head and sniffed. “I thought new mommy liked me, but… but…”
I hugged Sophie close as she started crying, my mind racing.
Amelia had been spending a lot of time in the attic, even before I left on my trip. She’d disappear up there for hours, and when I’d ask about it, she’d just smile and say she was “organizing things.”
A man with a confused frown | Source: Midjourney
I didn’t think much of it at first. Everyone needs their space, right? But now, I worried.
And while the behavior Sophie described wasn’t the worst-case scenario I’d braced myself for when she said Amelia was mean to her, it was still a little harsh.
As Sophie cried against my chest, I couldn’t help but wonder if bringing Amelia into our lives had been a huge mistake. Had I been so desperate to believe in our happy ending that I’d missed something important?
A man hugging his daughter | Source: Midjourney
But I didn’t say anything when Amelia came downstairs. I greeted her with a smile and made some remark about Sophie missing me as I lifted my daughter and carried her to her bedroom. Once she calmed down, we had a tea party with her favorite toys.
I hoped the moment had passed and we could get back to normal, but that evening, I found Sophie standing outside the attic door.
“What’s in there, Daddy?” She pressed her hand against the door.
A girl standing near a closed door | Source: Midjourney
I wished I knew the answer. “Probably just old things, sweetie. Come on, it’s almost bedtime.”
But sleep wouldn’t come that night. I lay in bed beside Amelia, watching shadows dance across the ceiling as questions chased each other through my mind.
Had I made a terrible mistake? Had I let someone into our lives who would hurt my little girl? I thought about the promises I’d made to Sarah in those final days. To keep Sophie safe. To make sure she grew up knowing love.
When Amelia slipped out of bed around midnight, I waited a few minutes before following her.
A man standing in his home at night | Source: Midjourney
I watched from the bottom of the stairs as she unlocked the attic door and slipped inside. I waited but didn’t hear her lock the door behind her.
I hurried up the stairs as silently as possible. Acting on impulse, I quickly opened the door and burst into the room.
My jaw dropped when I saw what was inside.
A shocked man standing in a doorway | Source: Midjourney
The attic had been transformed into something magical. Soft pastel walls, floating shelves lined with Sophie’s favorite books, and a cozy window seat piled with pillows.
An easel stood in one corner, complete with art supplies, and twinkling fairy lights draped the ceiling. A child-sized tea table sat in another corner, complete with delicate china cups and a stuffed bear wearing a bow tie.
Amelia, who had been adjusting a teapot on the table, spun around when I entered.
A woman glancing over her shoulder in surprise | Source: Midjourney
“I… I was hoping to finish before I showed you. I wanted it to be a surprise,” Amelia stammered. “For Sophie.”
The room was beautiful, but I couldn’t ignore the knot in my stomach. “It’s beautiful, Amelia, but… Sophie says you’ve been very strict with her. No ice cream, making her clean alone. Why?”
“Very strict?” Amelia’s shoulders slumped. “But I thought I was helping her become more independent. I know I’ll never replace Sarah, and I’m not trying to, I just… I wanted to do everything right. To be a good mother.” Her voice cracked. “But I’ve been doing everything wrong, haven’t I?”
A distressed woman | Source: Midjourney
“You don’t have to be perfect,” I said softly. “You just have to be there.”
“I keep thinking about my mother,” Amelia confessed, sinking onto the window seat. “Everything had to be just so. When I started working on this room, I found myself channeling her without even realizing it. Being strict, maintaining order…”
She gestured at the perfect rows of books and the carefully arranged art supplies. “I’ve been so focused on creating this perfect space that I forgot children need mess and ice cream and silly stories.”
A woman sitting with her head in one hand | Source: Midjourney
Tears spilled down Amelia’s cheeks. “I forgot what she needs most is just… love. Simple, everyday love.”
The next evening, we brought Sophie up to the attic. She hung back at first, half-hiding behind my legs until Amelia kneeled beside her.
“Sophie, I’m so sorry I’ve been strict lately,” Amelia said. “I was trying so hard to be a good mom that I forgot how to just… be there for you. Will you let me show you something special?”
Sophie peeked around me, curiosity winning over caution.
A young girl standing close to her father | Source: Midjourney
When she saw the room, Sophie’s mouth dropped open in a perfect “O.”
“Is this… is this for me?” she whispered.
Amelia nodded, her eyes glistening. “All of it. And I promise, from now on, we’ll clean your room together, and maybe… maybe we could share some ice cream while we read together?”
Sophie stared at her for a long moment before launching herself into Amelia’s arms. “Thank you, new mommy. I love it.”
A girl hugging a woman | Source: Midjourney
“Can we have tea parties up here?” Sophie asked, already moving toward the little table. “With real tea?”
“Hot chocolate,” Amelia amended with a laugh. “And cookies. Lots of cookies.”
Later that night, as I tucked Sophie into bed, she pulled me close and whispered, “New mom’s not scary. She’s nice.”
I kissed her forehead, feeling the last of my doubts dissolve.
A man kissing his daughter’s cheek | Source: Midjourney
Our path to becoming a family wasn’t straight or simple, but maybe that’s what made it real. We were learning together, stumbling sometimes, but always moving forward.
And watching my daughter and my wife curl up in that attic room the next day, sharing ice cream and stories, I knew we’d be okay.
This work is inspired by real events and people, but it has been fictionalized for creative purposes. Names, characters, and details have been changed to protect privacy and enhance the narrative. Any resemblance to actual persons, living or dead, or actual events is purely coincidental and not intended by the author.
The author and publisher make no claims to the accuracy of events or the portrayal of characters and are not liable for any misinterpretation. This story is provided “as is,” and any opinions expressed are those of the characters and do not reflect the views of the author or publisher.
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