About 15 years ago, Richard Sandrak, who moved from Ukraine to the United States, was called the strongest boy in the world.
Richard started to exercise seriously when he was just a child. And at the age of 8 he could bench-press with more than 30 pounds! At 11 years of age he lifted 53 pounds!
Now he’s 24 years old and it’s hard to call him a jock.
Once he was given the nickname «Little Hercules», he was constantly invited to competitions, TV-shows, commercials, magazines and even movies. That’s why Richard’s family moved to California, so the son could fully realize himself.
Training, nutrition, regime — these points were monitored by the boy’s father — a former world champion in martial arts. Very often the man was criticized for abusing his son and putting a lot of pressure on him.
And when Richard was 11 years old, he called the police when his father assaulted his mother. The man was put in jail for domestic violence.
The boy stopped communicating with his father and no longer recognized him. For a while he was still practicing, but gradually it became less and less.
At the moment Richard says: «I am very proud of my achievements as a child, I am not ashamed of them and I do not try to hide this page of my life from anyone. And he adds: «I just don’t want to live like that anymore.» «They tried to make me look like some kind of abomination of nature.»
Now Richard continues to exercise, but not as fanatically. He runs every morning and also likes skateboarding. By profession, he is a stuntman at the show «Waterworld» in Los Angeles, where he is set on fire at least five times a day, and then he has to dive into the water from a great height.
Once he was asked what he wanted to be, his answer was surprising: «A scientist, doing quantum physics… or an engineer at NASA. Why not»?
Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
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